“And you say, Professor Slocomb,” said the savant, his hand forming a sounding-board behind his ear, “that the terrapin, now practically extinct, was really plentiful in your day?” “My learned suh, I have gone down to the edge of my lawn, overlooking the salt-marsh, and seen ’em crawling around like potato bugs. The niggahs couldn’t walk the shore at night without trampling on ’em. This craze of yo’r millionaire epicures for one of the commonest shell-fish we have is”— “Amphibia,” suggested the professor, as if he had recognized a mere slip of the tongue. “I presume you are referring to the _Malaclemmys palustris_,—the diamond-back species.” “You are right, suh,” said the major. “I had forgotten the classification for the moment,” with an air of being perfectly at home on the subject. “The craze for the palustris, my dear suh, is one of the unaccountable signs of the times; it is the beginning of the fall of our institutions, suh. We cannot forget the dishes of peacock tongues in the old Roman days,—a thousand peacocks at a cou’se, suh.” The major would have continued down through Gibbon and Macaulay if Curran had not shouted out, “Keep still, every soul of you! Bock is going to give us the Serenade.” The men crowded about the piano. Smearly stood ready to turn the leaves of the music for Curran, and Jack drew a chair closer to the 'cellist. Bock uncovered the 'cello and held it between his knees, his fat hand resting lightly on the strings. As Curran, with his foot on the pedal of the piano, passed his hand rapidly over the keys, Bock’s head sank to the level of his shoulders, his straggling hair fell over his coat collar, his raised fingers balanced for a moment the short bow, and then Schubert’s masterpiece poured out the very fullness of its heart. A profound hush, broken only by the music, fell on the room. The old professor leaned forward, both hands cupped behind his ears. Sanford and Jack smoked on, their eyes half closed, and even the major withheld his hand from the well-appointed tray and looked into his empty glass. At a time when the spell was deepest and the listeners held their breath, the perfect harmony was broken by a discordant ring at the outer door. Curran turned his head angrily, and Sanford looked at Sam, who glided to the door with a catlike tread, opening it without a sound, and closing it gently behind him. The symphony continued, the music rising in interest, and the listeners forgot the threatened interruption. Then the door opened again, and Sam, making a wide détour, bent over Sanford and whispered in his ear. A woman wanted to see him in the hall. Sanford started, as if annoyed, arose from his seat, and again the knob was noiselessly turned and the door as noiselessly closed, shutting Sanford into the corridor. “Do you wish to see me, madam?” he asked, crossing to a chair in which the woman sat wrapped in a long cloak, her face buried in her hands.