The great, central figure of the _k`adó_, or sun dance, ceremony is the _taíme_. This is a small image, less than 2 feet in length, representing a human figure dressed in a robe of white feathers, with a headdress consisting of a single upright feather and pendants of ermine skin, with numerous strands of blue beads around its neck, and painted upon the face, breast, and back with designs symbolic of the sun and moon. The image itself is of dark-green stone, in form rudely resembling a human head and bust, probably shaped by art like the stone fetishes of the Pueblo tribes. It is preserved in a rawhide box in charge of the hereditary keeper, and is never under any circumstances exposed to view except at the annual sun dance, when it is fastened to a short upright stick planted within the medicine lodge, near the western side. It was last exposed in 1888 (see the calendar). The ancient _taíme_ image was of buckskin, with a stalk of Indian tobacco for a headdress. This buckskin image was left in the medicine lodge, with all the other adornments and sacrificial offerings, at the close of each ceremony. The present _taíme_ is one of three, two of which came originally from the Crows, through an Arapaho who married into the Kiowa tribe, while the third came by capture from the Blackfeet. The tobacco upon the head of the ancient _taíme_ is another evidence of the northern origin of the Kiowa, as the Kutenai, Blackfoot, and other tribes living near and across the Canadian border are noted for their cultivation of tobacco, and have a special tobacco dance and ceremonies. The more remote tribes along the northwest coast are equally celebrated for their carving in stone, the material used being commonly a black slate, and the original stone _taímes_ may have come from that region.