A redwood grove is a three-story affair. On the ground floor, turned
rusty brown, as though the sunlight filtering through had mellowed
there a thousand years, creep the wild ginger, the rosy-flowered
oxalis, trilliums, and violets. All these lower rooms are crowded with
dogwood, with the great berried manzanitas, woodwardias, man-high,
and glistening bays, silver-tipped with light. By one of those
strange but charming affinities of wild life, the redwood grove is
the peculiar haunt of lilies. Every variation of the soil--the peat
bogs of the coast, the high sandy ridges, the damp meadows--has each
its appropriate variety; and not merely lilies, but droves of them,
hundreds of swaying stems, files of them up the line of seeping springs
or round the bases of great boulders, lilies breast high, lilies
overhead, ruby-spotted, golden-throated, shining white, dowered with
the special genius of perfume. Along the chaparral-covered slope and
deep within the cañons one tracks them by the subtle, intoxicating
scent spreading, as I am persuaded no other perfume does, by a
conscious distillation on the melting air.
[Illustration: LAUREL LAKE, UPPER SACRAMENTO]
The second redwood story, that wondrous space of blue-diffusing sun,
between the deciduous underforest and the fairy web of redwood green,
is bird and squirrel haunted. Jays flash back and forth, bright
flickers of the humming-bird go buzzing by. Woodpeckers may be heard
calling the ever-missing "Jacob, Jacob!" who must in their opinion
be concealing himself somewhere about the upper story. The wire-drawn
warble of the brown creeper follows the singer up and down the deeply
corrugated trunks. Wrens, sparrows, juncos, all manner of little
feathered folk in whose coats the tones of brown predominate, frequent
the pillared middle rooms. Once I heard what I thought to be a hermit
thrush, singing out of the dusk of Muir Wood. But I have not the art
of knowing birds by note. People who live much in the redwoods find
them silent; I think it might more easily be that the great trunks
and green-shot glooms have the same quality of dwarfing sound as size.
Redwoods, as I know them, are really lighter and more alive than any
other coniferous forests, but the _effect_ of umbrageous stillness is
induced by vast proportions.
As for what goes on in the upper rooms, who has been there? What birds
arise to their three- or four-hundred-foot heights? The few and slight
boughs, the feathery layers of foliage rounding in age to sloping
crowns, who knows them but the wind and the snows that neither stir nor
are stayed by them? There are some matters that the great Twin Valleys
keep even from the men for whom they have borne an empire.
VIII
THE HIGH SIERRAS AND THE SAGE-BRUSH COUNTRY
Public-domain text, read in full here on John Shaqi.
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