France -- Social life and customs -- 19th century -- Fiction
The women with elbows resting on the table, an ice cream soda in front
of them, their weak faces, hatched with fine pink lines, supported
by long gloved hands, assume a languid air, a suffering mien and a
sort of consumptive dreaminess. They exchange mysterious winks and
imperceptible smiles with their neighbors at nearby tables, while
the gentleman accompanying them, silent and affectedly courteous,
strikes the point of his shoes with the tip of his cane. The gathering
presents a brilliant spectacle variegated with lace and baubles,
bright trimmings and pompons, tinged plumes and flowers in full bloom,
curls of blond hair, tresses of dark hair and the glitter of diamonds.
Every one is at his fighting post, the young and the old, beginners
with beardless faces, grey-haired veterans, naïve gulls and crafty
spongers, here were social scandals, false situations, riotous vice,
base covetousness, shameful barter--all the flowers of corruption which
sprout--mingle, grow and thrive in the dunghill warmth of Paris.
It was into this atmosphere charged with ennui, restlessness and
heavy odors that we used thereafter to come every evening. During the
day, visits to the dressmakers, the Bois, the races; in the evening,
restaurants, theatres and fashionable gatherings. Wherever this special
brand of society people came together, one was certain to see us; we
were even made much of because of Juliette's beauty which began to be
the subject of people's talk, and her dresses which called forth the
envy and emulation of other women. We no longer dined at home. Our
apartment served us as hardly anything more than a place to dress. When
Juliette was dressing she grew harsh, even cruel. The wrinkle on her
forehead cut into her skin like a scar. She uttered disjointed words,
grew angry, seemed to be incensed to the point of breaking up things.
All around her the room seemed as if it had been pillaged: trunks were
opened, skirts thrown on the carpet, fans taken out of their cases and
scattered on the chairs, opera glasses left on the furniture; muslin
gowns were lying in heaps in the corners, the floor was strewn with
flowers, towels, soiled with rouge, gloves, stockings, veils were
hanging on the branches of the candlesticks. And in the midst of this
confusion, Celestine, agile, brazen-faced, cynical, was going through
all sorts of evolutions, jumping, sliding, kneeling at the feet of her
mistress, sticking a pin here, adjusting the pleats there, knotting
threads, her soft, flabby hands, made to handle filthy things, gliding
all over Juliette's body with affection. She was happy, she no longer
replied to insinuating remarks, to bitter reproaches, and her eyes,
persistently ironical, shining with a flame of vulgar depravity were
riveted on me.
Public-domain text, read in full here on John Shaqi.
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