France -- Social life and customs -- 19th century -- Fiction
As was proper, I arrived during the intermission, when the crowd, very
elegant in appearance, was filling the lobbies. After having left
my overcoat at the check room, I passed through the parterre boxes
with that same sweet impatience, that same delicious anguish, which I
had already experienced at the Bois; on reaching the first balcony I
continued the same careful inspection of the loges. "Why is she not
here?" I asked myself. Each time I failed to distinguish clearly a
woman's face, whether it was because the face was slightly bent, in
shadow, or cut off from view by a fan, I would say to myself: "That's
Juliette!" And each time it was not Juliette at all. The play amused
me; I laughed heartily at the flat jokes which constituted the essence
of the piece: I enjoyed all this perverse ineptitude, this vulgar
coarseness and really found in it a quality of irony which did not
lack literary merit. At the love scenes I grew sentimental. During the
last intermission I met a young man whom I scarcely knew. Glad of the
opportunity to pour out the banalities which had accumulated in me and
were pressing for an outlet, I clung to him.
"An amazing thing, isn't it?" he said to me. "It is stunning, eh?"
"Yes, it isn't bad!"
"Not bad! Not bad!... Why that is a masterpiece, an astounding
masterpiece! What I especially like is the second act. There is a
situation for you, not that ... a tense situation! Why it is high
comedy, you know! And the gowns! And that Judic, ah! that Judic!..."
He struck his thigh and clicked his tongue:
"It got me all excited, my dear! It's astonishing!"
We thus discussed the merits of the various acts, scenes and actors.
When we were parting:
"Tell me," I asked him, "do you happen to know a certain Juliette Roux?"
"Wait now! Oh, perfectly well! A little brunette, very 'chic'? No, I
got mixed up. Wait now! Juliette Roux! Don't know her."
An hour later I was seated at a table with a glass of soda water in
front of me, in the café de la Paix where, after the theatre, used to
assemble the most beautiful representatives of the fashionable world. A
great many women came in and out, insolent, loud-mouthed, their faces
covered with fresh layers of rice powder, their lips newly painted with
rouge! At the adjoining table a little blonde lady, already aged but
very animated, was speaking in a nasal voice; a brunette, farther away,
was simpering with a turkey's ludicrous majesty, and with the same hand
which had raked manure on the farm she held a fan, while her escort,
leaning against his chair, his hat pushed back, his legs spread apart,
was obdurately sucking his cane's head.
Public-domain text, read in full here on John Shaqi.
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