Cambridge (England) -- Pictorial works; University of Cambridge -- Pictorial works
Among the ‘dons’ the centre of social life has always been the
combination room. It represents that pledge of civilisation the
with-drawing-room, the room contiguous to the banqueting-hall, where the
pleasures of the spirit steal an advantage over the pleasures of the
table. The rudeness which marked the period of the early renascence,
from court to convent, in England, clung also to our academic life, and
it is not till the last quarter of the xvi century that we find the
fellows first provided with table napkins, and learn that the
enterprising college which made the innovation exacted a fine of a penny
from those who continued to wipe their fingers on the tablecloth. The
temptation to this latter practice must indeed have been great; for the
fork which made its appearance at the dawn of the renascence in France
was unknown in England two hundred years later. It is only in the course
of the next, the xviith, century that the combination room emerges as a
more or less luxurious apartment; the subsequent addition of newspapers,
magazines, and easy chairs marking in turn the rise of journalism and
the higher standard of comfort. The dons of Charles II.’s time who had
to be content with the “London Gazette” supplemented the lack of news by
social clubs. “The Ugly Faces” club dined periodically in what was then
the ugliest of college halls--Clare. “The Old Maids’ Club” flourished
in the early xix century, with Baker the antiquary, Tonstall, and
Conyers Middleton as members. The first “news letter” was however laid
on the table of Kirk’s coffee-house in Charles’s reign. The first
flying-coach, following the example of Oxford which had run a coach to
London in one day, sped to the Capital in 1671.[339]
Public-domain text, read in full here on John Shaqi.
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