Jesus College took for its first shield the curious device of the five wounds of Christ. But in 1575, it received its present coat-of-arms in memory of its founder. The three cocks’ heads erased have always been a feature of the college very much in evidence; they appear constantly in the buildings, and, in the cloister court, may still be seen the two cocks, one of whom says to the other from the library wall “ἐγὼ εὶμὶ ἀλεκτὼρ” (I am a cock), while the other, from the hall, bears in his mouth a similar scroll inscribed “οὓτως καί ἐγὼ” (And so am I). Soon after Alcock’s time, the college brought forth a fruit of the new learning in the shape of Thomas Cranmer,* who was a fellow here for some time. He lost his fellowship by his marriage. He contracted an alliance with the niece of the landlady of the Dolphin, an inn close to what is now All Saints’ Passage, and, having resigned his fellowship in consequence, lived at the inn for some time. Cambridge was a great university for reformers, and at this time a number of men who afterwards became distinguished for the novelty of their opinions were in residence. The college has honoured Cranmer’s memory, and one of its most popular social clubs is named after him. Readers of history know that Cranmer was no less eminent as statesman and man of letters than as reformer, and his college may be justly proud of him. His portraits are interesting. The picture in the Hall is supposed to be a copy by Reynolds from an older picture. In the Combination Room is the portrait dated 1548, similar to the portrait of 1546 by Fliccius, now in the National Portrait Gallery. And in the Master’s Lodge is another portrait which is probably a copy of the last. Both these latter portraits have been attributed to Holbein.