Cameos from English History, from Rollo to Edward IIYonge, Charlotte M. (Charlotte Mary)
History
Cameos from English History, from Rollo to Edward II
Yonge, Charlotte M. (Charlotte Mary)
Great Britain -- History -- Anecdotes
John, Count of Mortagne, for whom no heiress had been obtained, was
gayly called by his father Lackland--a name which his after-life fitted
to him but too well. Richard was intended to be the inheritor of his
mother’s beautiful duchy of Aquitaine, where he spent most of his early
years. It was a strange country, where the ordinary events of life
partook so much of romance that we can hardly believe them real.
It had never been so peopled by the Franks as to lose either the
language or the cultivation left by the Romans. The _langue d’oc_ had
much resemblance to the Latin, and was beautifully soft and adapted to
poetry; and when the nobles adopted chivalry, they ornamented it with
all the graces of their superior education. The talent of improvising
verses was common among them; and to be a minstrel, or, as they called
it, a troubadour (a finder of verses), was essential to the character of
a complete gentleman.
Courts of beauty and love took place, where arguments were held on cases
of allegiance of a knight to his lady-love, and competitions in poetry,
in which the reward was a golden violet. Each troubadour thought it
needful to be dedicated to the service of some lady, in whose honor all
his exploits in arms or achievements in minstrelsy were performed. To
what an extravagant length this devotion was carried, is shown in the
story of Jauffred Rudel, Lord of Blieux, who, having heard from some
Crusaders a glowing account of the beauty and courtesy of the Countess
of Tripoli, on their report made her the object of his affections, and
wrote poem after poem upon her, of which one has come down to our times:
“No other love shall e’er be mine,
None save my love so far away;
For one more fair I’ll never know,
In region near, or far away.”
Thus his last verse may be translated, and his “_amour luench_,” or love
far away, occurs in every other line. He embarked for Palestine for the
sole purpose of seeing his _amour luench_, but fell sick on the voyage,
and was speechless when he arrived. The countess, hearing to what a
condition his admiration had brought him, came on board the vessel to
see him; the sight of her so charmed him, that he was able to say a few
words to her before he expired. She caused him to be buried with
great splendor, and erected a porphyry tomb over him, with an Arabic
inscription.
The romance of the Languedoçians was unhappily not accompanied by purity
of manners, and much of Queen Eleanor’s misconduct may be ascribed to
the tone prevalent in her native duchy, to which she was much attached.
Her brave son, Richard, growing up in this land of minstrelsy, became
a thorough troubadour, and loved no portion of his father’s domains
as well as the sunny south; and his two brothers, Henry and Geoffrey,
likewise fell much under the influence of the poetical knights of
Aquitaine, especially Bertrand de Born, Viscount de Hautefort, an
accomplished noble, who was the intimate friend of all the princes.
Public-domain text, read in full here on John Shaqi.
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