Camilla: A Tale of a Violin: Being the Artist Life of Camilla UrsoBarnard, Charles
Philosophy
Camilla: A Tale of a Violin: Being the Artist Life of Camilla Urso
Barnard, Charles
Urso, Camilla, 1842-1902
GARDENING FOR MONEY.—How it was done with Fruit, Flowers and
Vegetables.
In cloth, $1.50
A SIMPLE FLOWER GARDEN.—A practical guide for every lady.
In paper covers, 25 cts.
Transcriber’s Note: The table below lists all corrections applied to the
original text.
p. 5: [normalized] into the shady archway -> arch-way
p. 26: not very difficult in rythm -> rhythm
p. 28: rapid appeggios -> arpeggios
p. 28: Repeatedly nterrupted by applause -> interrupted
p. 30: The Director Auber, received him -> Director, Auber, received
p. 32: Persistance finally carried the day ->Persistence
p. 34: compete with grown up lads, -> lads.
p. 50: Salvator Urso would play the flute -> Salvatore
p. 63: paler and thiner than ever -> thinner
p. 65: given her at Manhiem -> Manheim
p. 66: 24th Concerto in B Minor for violin by Viotto -> Viotti
p. 69: the half smilling mouth -> smiling
p. 70: M Urso replied -> M. Urso
p. 75: Something had happend -> happened
p. 80: the greatest enthuasiasm -> enthusiasm
p. 81: flaming advertisements of pecocity -> precocity
p. 82: so natural and childlke -> childlike
p. 82: so selfposesed and graceful -> selfpossessed
p. 83: sit down in dispair -> despair
p. 85: They stoped a gentleman -> stopped
p. 85: Again and again they stoped -> stopped
p. 87: wofully ignorant -> woefully
p. 87: incredably short time -> incredibly
p. 89: It was a stiring, eventful life -> stirring
p. 91: and the povery and trial -> poverty
p. 92: L’elisir ’d Amore -> L’elisir d’Amore
p. 94: Witches’ Dance, by Paginini -> Paganini
p. 99: Souvenir des Pryrenees -> Pyrenees
p. 99: [normalized] to her in the anteroom -> ante-room
p. 103: before a seclet audience -> select
p. 103: beseiged the doors -> besieged
p. 100: fulfill every engagemet tno the letter -> engagement to
p. 114: the orchestra, drilled -> orchestra drilled
p. 115: beseiged by editors -> besieged
p. 115: The Mechanics’ Pavillion -> Pavilion
p. 115: a drum more portentious -> portentous
p. 119: the Festivale week -> Festival
p. 124: the Old and New Philarmonic Societies -> Philharmonic
p. 127: an unrupted succession -> uninterrupted
End of Project Gutenberg's Camilla: A Tale of a Violin, by Charles Barnard
Public-domain text, read in full here on John Shaqi.
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