After looking about the esplanade and exploring the dim recesses of the
gloomy ammunition-vaults, I climbed a crooked flight of disintegrating
stone steps and entered, between two massive quadrangular bastions,[6]
the lower story--if I may so call it--of the castle proper. As seen from
the ocean outside of the harbor, this ancient fortress appears to
consist of three huge cubes of gray masonry, superimposed one upon
another in such a manner as to present in profile the outline of three
rocky terraces; but whether this profile view gives anything like a
correct idea of the real shape of the building I am unable to say. From
the time when I entered the gateway at the head of the flight of stone
steps that led up from the esplanade, I was lost in a jumbled
aggregation of intercommunicating corridors, bastions, grated cells,
stairways, small interior courtyards, and huge, gloomy chambers, which I
could not mentally group or combine so as to reduce them to intelligible
order or bring them into anything like architectural harmony. The almost
complete absence of windows made it impossible to orient one's self by
glancing occasionally at some object of known position outside; the
frequent turns in the passages and changes of level in the floors were
very confusing; the small courtyards which admitted light to the
interior afforded no outlook, and I simply roamed from bastion to
bastion and from corridor to corridor, without knowing where I was, or
what relation the place in which I stood bore to the castle as a whole.
Now and then I would ascend a flight of stone steps at the side of a
courtyard and come out unexpectedly upon what seemed to be a flat roof,
from which I could see the entrance to the harbor and the white walls
of the Estrella battery hundreds of feet below; but as soon as I went
back into the maze of passages, chambers, and bastions on that level, I
lost all sense of direction, and five minutes later I could not tell
whether I was on the northern side of the castle or the southern side,
nor whether I was in the second of the three cubes of masonry or the
third.
Public-domain text, read in full here on John Shaqi.
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