We do things in a still more practical style nowadays, and, when it comes to fighting Indians, all that is ornamental in warfare has been left to them. An Indian of the Sioux or Cheyenne tribe, when he goes into battle, is as gorgeous a creature as vermilion pigment, plumed war-bonnet, glittering necklace, armlets, bracelets, and painted shield can make him. But here is a chance to see a full-fledged brigadier-general of the United States Army and his brilliant staff in action--date, September 9th, 1876; place, a muddy ravine in far-western Dakota; campaign, the great Sioux war of that year. Now, fellow-citizens, which is brigadier and which is private soldier in this crowd? It has gathered in not unkindly curiosity around three squaws who have just been brought into the presence of the "big white chief." You are taxpayers--you contribute to the support of the brigadier and the private alike. Presumably, therefore, having paid your money, you take your pick. I see you will need assistance. Very well, then. This utterly unpretending party--this undeniably shabby-looking man in a private soldier's light-blue overcoat, standing ankle-deep in mud in a far-gone pair of private soldier's boots, crowned with a most shocking bad hat, is Brigadier-General George Crook, of the United States Army. He commanded the Eighth Corps at Cedar Creek, and ever since the war closed has been hustled about the great West, doing more hard service and making less fuss about it than you suppose possible in the case of a brigadier-general. He has spent the best days of his life, before and since the war, in the exile of the frontier. He has fought all the tribes on the western slope of the Rockies, and nearly all on the eastern side. Pitt River Indians sent an arrow through him in 1857, and since the day he took command against the Apaches in Arizona no white man's scalp would bring the price his would, even in the most impoverished tribe on the continent. The rain is dripping from the ragged edge of his old white felt hat and down over his untrimmed beard as he holds out his hand to greet, Indian fashion, the first squaw whom the interpreter, Frank Gruard, is leading forward. Poor, haggard, terrified old wretch, she recognizes the big chief at once, and, springing forward, grasps his hand in both of hers, while her eyes mutely implore protection. Never having seen in all her life any reception but torture for prisoners, she cannot be made to believe, for some minutes, that the white man does not war that way. The other squaws come crowding after her, each eager to grasp the general's hand, and then to insert therein the tiny fist of the pappoose hanging in stolid wonderment on her back. One of the squaws, a young and really handsome woman, is shot through the hand, but she holds it unconcernedly before her, letting the blood drip to the ground while she listens to the interpreter's explanation of the general's assurance of safety.