Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.Stedman, Fabian
Science
Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.
Stedman, Fabian
Bells; Change ringing
Nottingham _Trebles and Doubles_.
1.2.3.
_123456_
214365
241356
423165
432615
346251
364521
635412
653142
561324
516342
153624
135264
312546
321564
The ordinary course is to move directly, except when the _whole-hunt_
passes either out of or into the _second_’s place, and then constantly
dodg behind. There are single and double _bobs_; the _bob_ is a _double_
change at the leading of the Treble, wherein the bell in the _4th_ place
lieth still. When the third _hunt_ dodges behind, the second _hunt_ then
leading, is a warning for the single _bob_ to be made at the next
leading of the Treble. And when the second and third _hunts_ dodg
together behind, is a warning for the double _bob_ to be made at the two
next leadings of the Treble. The two _extreams_ in the 720 must be made
according to the general rule in the _Introduction_, _p. 90_.
Nottingham _Single Bob_.
1.5.2.
_123456_ │ 341265
214365 │ 314625
241635 │ 136452
426153 │ _bob_
462513 │ 163425
645231 │ 614352
654213 │ 641532
562431 │ 465123
526413 │ 456132
254631 │ 541623
245361 │ 514263
423516 │ 152436
432156 │ 154263
One time the Treble hunts quite up, the next time only up into the
fourth place, and so by turns, as in the example here prickt. The bells
observe the course of the Treble, and also dodg it being before; and
once in 120 changes _bob_, when that bell which is nominated for the
second _hunt_ lying behind twice, meets with the third _hunt_ when the
first _hunt_ is going to lead. The second and third _hunts_ are both
one.
The first _single_, │The second _single_.
124365 │ 123465
124356 │ 123456
Nottingham _Bob.
1 and 2._
Public-domain text, read in full here on John Shaqi.
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