Campfire and battlefield : $b an illustrated history of the campaigns and conflicts of the great Civil WarRidpath, John Clark
History
Campfire and battlefield : $b an illustrated history of the campaigns and conflicts of the great Civil War
Ridpath, John Clark
United States -- History -- Civil War, 1861-1865 -- Campaigns; United States -- History -- Civil War, 1861-1865 -- Pictorial works
So within the prison cell
We are waiting for the day
That shall come to open wide the iron door;
And the hollow eye grows bright,
And the poor heart almost gay,
As we think of seeing home and friends once more.
[Illustration]
[Illustration]
{126} [Illustration]
ALL QUIET ALONG THE POTOMAC TO-NIGHT.
One cool September morning in 1861, a young woman living in Goshen,
Orange County, N. Y., read the familiar announcement from the seat of
war near Washington, "All quiet on the Potomac," to which was added in
smaller type, "A picket shot." These simple words were the inspiration
of a celebrated war song, which is as popular now as when it first
appeared. This song was first published in _Harper's Weekly_ for
November 30, 1861, and it has had many claimants; but after careful
investigation, there appears to be no reason whatever for disputing
the claim of Mrs. Ethel Lynn Beers. She died in Orange, N. J., October
10, 1879.
"All quiet along the Potomac," they say,
"Except now and then a stray picket
Is shot, as he walks on his beat to and fro,
By a rifleman hid in the thicket.
'Tis nothing--a private or two now and then
Will not count in the news of the battle;
Not an officer lost--only one of the men,
Moaning out, all alone, the death-rattle."
All quiet along the Potomac to-night,
Where the soldiers lie peacefully dreaming;
Their tents in the rays of the clear autumn moon,
Or the light of the watch-fire, are gleaming.
A tremulous sigh of the gentle night-wind
Through the forest leaves softly is creeping;
While stars up above, with their glittering eyes,
Keep guard, for the army is sleeping.
There's only the sound of the lone sentry's tread,
As he tramps from the rock to the fountain,
And thinks of the two in the low trundle-bed
Far away in the cot on the mountain.
His musket falls slack; his face, dark and grim,
Grows gentle with memories tender,
As he mutters a prayer for the children asleep,
For their mother--may Heaven defend her!
The moon seems to shine just as brightly as then,
That night, when the love yet unspoken
Leaped up to his lips--when low-murmured vows
Were pledged to be ever unbroken.
Then drawing his sleeve roughly over his eyes,
He dashes off tears that are welling,
And gathers his gun closer up to its place,
As if to keep down the heart-swelling.
He passes the fountain, the blasted pine-tree--
The footstep is lagging and weary;
Yet onward he goes, through the broad belt of light,
Toward the shade of the forest so dreary.
Hark! was it the night-wind that rustled the leaves?
Was it moonlight so wondrously flashing?
It looked like a rifle ... "Ha! Mary, good-by!"
The red life-blood is ebbing and plashing.
All quiet along the Potomac to-night;
No sound save the rush of the river;
While soft falls the dew on the face of the dead--
The picket's off duty forever!
Public-domain text, read in full here on John Shaqi.
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