cut the throats of his wife and two small children, removing at once to
another part of the country, has no doubt done its share in directing
public attention to the fitness of the place for supernatural phenomena.
To this house, one summer evening, came four men in a wagon. Three of
them promptly alighted, and the one who had been driving hitched the team
to the only remaining post of what had been a fence. The fourth remained
seated in the wagon. “Come,” said one of his companions, approaching
him, while the others moved away in the direction of the dwelling—“this
is the place.”
The man addressed did not move. “By God!” he said harshly, “this is a
trick, and it looks to me as if you were in it.”
“Perhaps I am,” the other said, looking him straight in the face and
speaking in a tone which had something of contempt in it. “You will
remember, however, that the choice of place was with your own assent left
to the other side. Of course if you are afraid of spooks—”
“I am afraid of nothing,” the man interrupted with another oath, and
sprang to the ground. The two then joined the others at the door, which
one of them had already opened with some difficulty, caused by rust of
lock and hinge. All entered. Inside it was dark, but the man who had
unlocked the door produced a candle and matches and made a light. He
then unlocked a door on their right as they stood in the passage. This
gave them entrance to a large, square room that the candle but dimly
lighted. The floor had a thick carpeting of dust, which partly muffled
their footfalls. Cobwebs were in the angles of the walls and depended
from the ceiling like strips of rotting lace, making undulatory movements
in the disturbed air. The room had two windows in adjoining sides, but
from neither could anything be seen except the rough inner surfaces of
boards a few inches from the glass. There was no fireplace, no
furniture; there was nothing: besides the cobwebs and the dust, the four
men were the only objects there which were not a part of the structure.
Public-domain text, read in full here on John Shaqi.
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