Canoeing in Kanuckia: Or, Haps and Mishaps Afloat and Ashore of the Statesman, the Editor, the Artist, and the ScribblerHabberton, John
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Canoeing in Kanuckia: Or, Haps and Mishaps Afloat and Ashore of the Statesman, the Editor, the Artist, and the Scribbler
Habberton, John
Canoes and canoeing; Québec (Province) -- Description and travel
It is almost always convenient to have the masts of a canoe jointed, so
that they can be readily stowed below decks. The simplest and cheapest
way is to place the mast so that it shall be an inch and a quarter or
less at the joint, that being the largest regular size of fishing-rod
ferrules. Such joints have been fully tested and are strong enough. The
device known as the "sliding gunter" is a brass fitting which holds
the main topmast and slides up and down the mainmast, operated by a
halyard. It works very well when in perfect order, but is apt to give
trouble when the parts get wet. Moreover it necessitates a clumsily
large lower-mast, since this part must be deeply grooved to receive
the topmast-halyard _over_ which the "gunter" slides. The Vice who has
tried the sliding gunter rig has decided to adopt a simple nine-foot
mast with a mainsail like that shown in the illustration on page 107,
and a ferrule joint. The sail runs up and down on rings as do those of
the Red Lakers, and having throat and peak halyards attached to the
gaff, the peak can be dropped or raised without lowering the sail.
This has the effect of reefing and shaking out without the bother of
tying the reef-points shown in the sketch referred to, on the lower
part of the mainsail.
The Red Lakers, by the way, are reefed by means of a small brass S.
hook carried at the peak of each sail. The sail is lowered away and
this hook passed through any one of the rings on which it runs. When
hoisted again the sail is of course correspondingly reduced in area.
It was ten o'clock before the squadron had settled all this and was
content to turn in.
[Illustration]
XI.
SEVERAL OTHER DAYS.
Public-domain text, read in full here on John Shaqi.
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