"I love her, too," I said, gently; for Silvy had paused again, and was
knitting her brows in that painful manner, as though the effort to think
gave her actual physical suffering.
"Silvy knows! Silvy knows!" She exclaimed suddenly, her face all smooth
and softly smiling now. "Never--you--trust a neat man," impressively.
"Never you trust 'em--for why? They wasn't made so. God made 'em. God
made 'em to clutter. And there was that Dave Rollin. He was always a'
hangin' things up. He was always foldin' of 'em. He was always a hangin'
'em up in his room. Silvy knows. But there was a piece of writin' got
over behind the bury. And it didn't fall. But it stuck. Silvy knows. She
reads writin'. She reads it over and over. He didn't love Beck any more.
But he's afraid. And he'll give money. 'Oh, go anywhere! Only keep still,
Beck. For Heaven's sake, keep still.' Why, she wouldn't hurt him! Beck
wouldn't hurt him," said Silvy, in a slow tone full of wonder.
"He needn't be afraid. But Silvy won't tell him so. Why not? Oh, she
likes to be amused. Silvy likes to be amused!
"Silvy knows! Silvy knows!" She continued, after another terrible pause.
"She set eyes on you, standin' there. That's the one, she says, and she
says it a long time. That's the queen of Heaven. She wouldn't hurt Silvy,
poor Silvy! She's got a key. So she'll straighten it out maybe. Silvy
can't, she's so tired. When Silvy got up in the mornin', it was early.
Oh, so still! And a bird was flyin' up--up. Silvy couldn't see--so far to
heaven. It made Silvy cry. So strange not to be any tired in the
mornin'."
Silvy made a last painful effort to collect her thoughts, before her face
resumed its habitual, far away, half smiling expression.
Then she said, "Silvy comes up the hill all alone. Not the way them
others, and she see the fire burnin'. But it was dark in the bush. Silvy
heard 'em talkin' terribly. It was Beck and George Olver. 'I'll make an
honest home for you, Beck.' And she says, terribly, she no deserve. And
he says, she better than him, and won't she come? And she cries so, 'My
heart is broke!' And how good to live with him she knows, now--so honest
and true--but she no fit, and, oh, 'My heart is broke! my heart is
broke!'"
The scene, the vividness of these words had not yet faded in the least
from Silvy's memory.
"Then," said she; "they keep on talkin', terribly. But Silvy--she hears
so much--poor Silvy! She goes 'round very still, 'nother way. Silvy's
tired."
And, as unceremoniously as she had approached me, she turned and walked
slowly back to her old position before the fire. She did not look at me.
She seemed to have become utterly unconscious of my presence. The scant,
thin shawl had fallen back from her head. She shivered as she stood
gazing into the flames, but the dreamy expression was ever in her eyes
and the soft laugh on her lips, as she continued murmuring to herself.
Public-domain text, read in full here on John Shaqi.
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