Capitals of the Northlands: Tales of Ten CitiesHannah, Ian C.
History
Capitals of the Northlands: Tales of Ten Cities
Hannah, Ian C.
Capitals (Cities); Russia -- Description and travel; Scandinavia -- Description and travel
Close to the palace, looking over the harbour, is a very impressive
statue of Gustavus III.; it was the work of J. T. Sergel, second only
to Thorwaldsen among the sculptors of the North. Brilliantly this
charmer king, this monarch of the double face,[117] taught Sweden to
sin, fatuously he sought to bring to the icy pine-woods of the North
the tinsel trinkets of Versailles. The country did not prosper, the
royal house was undermined, the king was murdered, and soon a brave
French soldier came to restore vigour and virtue to the long-suffering
land.
Still the reign that gave to Sweden Karl Mikael Bellman, the poet,
and other illustrious men was by no means altogether barren of good
results. The old French culture introduced is very far from being lost,
and the Swedish Academy, which Gustavus founded in 1786, is one of a
number of learned societies that have their homes in this city and have
done much to make the Swedish capital pre-eminent for its devotion
for letters. Another is the Academy of Sciences, in whose institution
the great Linnæus had no small share. Many of their members have a
reputation Europe-wide. Lost now is the position to which Sweden once
attained, chief military power in the North, but higher her place
in the world. The sword-won dominion of Gustavus Adolphus could not
endure for very long--geography forbade--but a nobler Swedish empire
was founded, or at any rate consolidated, by the genius of Linnæus,
and that shows no sign of decay. There will dawn a day when mere brute
force will no longer be the test of a nation's weal, but in Europe it
is hardly yet.
[Illustration: STOCKHOLM] [_Face page 206_
Across a monumental bridge, adorned with statues and lamps, on
the island of Djurgarden, stands a recently finished structure of
Renaissance character which looks like a great cruciform church, but
is in fact the Northern, or the Folk, Museum. The great hall contains
figures in armour, old coaches and such like to illustrate days that
are past, but more interesting are the little chambers that show us in
detail the life of Sweden in bygone years. Within an old cottage we see
a duck-coop under the sofa and shut-up cupboards against the walls.
Carved chests and spinning wheels and lace and little looms and fishing
implements and traps for bears, saddles and flutes and harps and drums
give the attentive student a very fair idea of how the peasants used to
pass their days. No servile breed these men who crushed the armies of
the Empire in the war of Thirty Years and first subdued the woods by
the Delaware.
A story told by W. W. Thomas[118] is fairly characteristic of the stern
and independent nature of the farmers who have made Sweden.
Public-domain text, read in full here on John Shaqi.
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