“My idea is,” rejoined Hérode, “to stop at the first village we come to and give an entertainment. All work in the fields is at a standstill now, and the peasants are idle in consequence; they will be only too delighted at the prospect of a little amusement. Somebody will let us have his barn for our theatre, and Scapin shall go round the town beating the drum, and announcing our programme, adding this important clause, that all those who cannot pay for their places in money may do so in provisions. A fowl, a ham, or a jug of wine, will secure a seat in the first row; a pair of pigeons, a dozen eggs, or a loaf of bread, in the second, and so on down. Peasants are proverbially stingy with their money, but will be liberal enough with their provisions; and though our purse will not be replenished, our larder will, which is equally important, since our very lives depend upon it. After that we can push on to Poitiers, and I know an inn-keeper there who will give us credit until we have had time to fill our purse again, and get our finances in good order.” “But what piece can we play, in case we find our village?” asked Scapin. “Our _repertoire_ is sadly reduced, you know. Tragedies, and even the better class of comedies, would be all Greek to the stupid rustics, utterly ignorant as they are of history or fable, and scarcely even understanding the French language. The only thing to give them would be a roaring farce, with plenty of funny by-play, resounding blows, kicks and cuffs, ridiculous tumbles, and absurdities within their limited comprehension. The Rodomontades of Captain Matamore would be the very thing; but that is out of our power now that poor Matamore is dead.”