France -- History -- Louis XIII, 1610-1643 -- Fiction
The representation was to begin very early that evening, and all day
the town crier went about through the streets, beating his drum
lustily, and, whenever he had gathered a curious crowd around him,
stopping and announcing the “great attractions—offered for that evening
by Hérode’s celebrated troupe.” Immense placards were posted upon the
walls of the tennis-court and at the entrance of the _Armes de France_,
also announcing, in huge, bright-coloured capitals, which reflected
great credit on Scapin, who was the calligraphist of the troupe, the
new play of “Lygdamon et Lydias,” and the Rodomontades of Captain
Fracasse. Long before the hour designated an eager crowd had assembled
in the street in front of the theatre, and when the doors were opened
poured in, like a torrent that has burst its bounds, and threatened to
sweep everything before them. Order was quickly restored, however,
within, and “the nobility and gentry of Poitiers” soon began to arrive
in rapid succession. Titled dames, in their sedan chairs, carried by
liveried servants, alighted amid much bowing and flourishing of
attendant gallants. Gentlemen from the environs came riding in,
followed by mounted grooms who led away their masters’ horses or mules.
Grand, clumsy old carriages, vast and roomy, with much tarnished
gildings and many faded decorations about them, and with coats-of-arms
emblazoned on their panels, rolled slowly up, and out of them, as out
of Noah’s ark, issued all sorts of odd-looking pairs, and curious
specimens of provincial grandeur; most of them resplendent in the
strange fashions of a bygone day, yet apparently well satisfied with
the elegance of their appearance. The house was literally packed, until
there was not room left for another human being, be he never so
slender. On each side of the stage was a row of arm-chairs, intended
for distinguished spectators, according to the custom of the times, and
there sat the young Duke of Vallombreuse, looking exceedingly handsome,
in a very becoming suit of black velvet, elaborately trimmed with jet,
and with a great deal of exquisite lace about it. Beside him was his
faithful friend, the Chevalier de Vidalinc, who wore a superb costume
of dark green satin, richly ornamented with gold. As to the Marquis de
Bruyères, he had not claimed his seat among the notables, but was
snugly ensconced in his usual place—a retired corner near the
orchestra—whence he could applaud his charming Zerbine to his heart’s
content, without making himself too conspicuous. In the boxes were the
fine ladies, in full dress, settling themselves to their satisfaction
with much rustling of silks, fluttering of fans, whispering and
laughing. Although their finery was rather old-fashioned, the general
effect was exceedingly brilliant, and the display of magnificent
jewels—family heirlooms—was fairly dazzling. Such flashing of superb
diamonds on white bosoms and in dark tresses; such strings of large,
Public-domain text, read in full here on John Shaqi.
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