France -- History -- Louis XIII, 1610-1643 -- Fiction
“Take hold of my hand,” said the page patronizingly to Leander, “so
that I can guide you; it is too dark for you to be able to make out the
path through this labyrinth of trees.”
Leander obeyed, and both walked cautiously forward, feeling their way
as they wound in and out among the trees, and treading the crackling,
dry leaves, strewn thickly upon the ground, under their feet. Emerging
from the wood at last, they came upon a garden, laid out in the usual
style, with rows of box bordering the angular flower beds, and with yew
trees, cut into pyramids, at regular intervals; which, just perceptible
in the darkness, looked like sentinels posted on their way—a shocking
sight for the poor timid actor, who trembled in every limb. They passed
them all, however, unchallenged, and ascended some stone steps leading
up to a terrace, on which stood a small country house—a sort of
pavilion, with a dome, and little turrets at the corners. The place
seemed quite deserted, save for a subdued glimmer of light from one
large window, which the thick crimson silk curtains within could not
entirely conceal. At this reassuring sight Leander dismissed all fear
from his mind, and gave himself up to the most blissful anticipations.
He was in a seventh heaven of delight; his feet seemed to spurn the
earth; he would have flown into the presence of the waiting angel
within if he had but known the way. How he wished, in this moment of
glory and triumph, that Scapin, his mortal enemy and merciless
tormentor, could see him. The tiny page stepped on before him, and
after opening a large glass door and showing him into a spacious
apartment, furnished with great luxury and elegance, retired and left
him alone, without a word. The vaulted ceiling—which was the interior
of the dome seen from without—was painted to represent a light blue
sky, in which small rosy clouds were floating, and bewitching little
Loves flying about in all sorts of graceful attitudes, while the walls
were hung with beautiful tapestry. The cabinets, inlaid with exquisite
Florentine mosaics and filled with many rare and curious objects of
virtu, the round table covered with a superb Turkish cloth, the large,
luxurious easy-chairs, the vases of priceless porcelain filled with
fragrant flowers, all testified to the wealth and fastidious taste of
their owner. The richly gilded candelabra, of many branches, holding
clusters of wax candles, which shed their soft, mellow light on all
this magnificence, were upheld by sculptured arms and hands in black
marble, to represent a negro’s, issuing from fantastic white marble
sleeves; as if the sable attendants were standing without the room, and
had passed their arms through apertures in the wall.
Public-domain text, read in full here on John Shaqi.
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