France -- History -- Louis XIII, 1610-1643 -- Fiction
The prince, who had been gazing at her with passionate earnestness, as
if her fair face possessed an irresistible charm for him, now addressed
her in low, moved tones:
“Mademoiselle, will you kindly tell me how you came by this ring, which
recalls very dear and sacred memories to me? Has it been long in your
possession?”
“I have had it ever since my infancy; it is the only thing that my poor
mother left me,” Isabelle replied, with gentle dignity.
“And who was your mother? Will you, tell me something about her?”
continued the prince, with increasing emotion.
“Her name was Cornelia, and she was an actress, belonging to the same
troupe that I am a member of now.”
“Cornelia! then there is no possible doubt about it,” murmured the
prince to himself, in great agitation. “Yes, it is certainly she whom I
have been seeking all these years—and now to find her thus!”
Then, controlling his emotion, he resumed his usual calm, majestic
demeanour, and turning back to Isabelle, said to her, “Permit me to
keep this ring for the present; I will soon give it back to you.”
“I am content to leave it in your lordship’s hands,” the young actress
replied, in whose mind the memory of a face, that she had seen long
years ago bending over her cradle, was growing clearer and more
distinct every moment.
“Gentlemen,” said the prince, turning to de Sigognac and his
companions, “under any other circumstances I might find your presence
here, in my château, with arms in your hands, unwarranted, but I am
aware of the necessity that drove you to forcibly invade this mansion,
hitherto sacred from such scenes as this—I know that violence must be
met with violence, and justifies it; therefore I shall take no further
notice of what has happened here to-night, and you need have no fears
of any evil consequences to yourselves because of your share in it. But
where is the Duke of Vallombreuse? that degenerate son who disgraces my
old age.”
As if in obedience to his father’s call, the young duke at that moment
appeared upon the threshold of the door leading into what had been
Isabelle’s apartment, supported by Malartic. He was frightfully pale,
and his clinched hand pressed a handkerchief tightly upon his wounded
chest. He came forward with difficulty, looking like a ghost. Only a
strong effort of will kept him from falling—an effort that gave to his
face the immobility of a marble mask. He had heard the voice of his
father, whom, depraved and shameless as he was, he yet respected and
dreaded, and he hoped to be able to conceal his wound from him. He bit
his lips so as not to cry out or groan in his agony, and resolutely
swallowed down the bloody foam that kept rising and filling his mouth.
He even took off his hat, in spite of the frightful pain the raising of
his arm caused him, and stood uncovered and silent before his angry
parent.
Public-domain text, read in full here on John Shaqi.
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