France -- History -- Louis XIII, 1610-1643 -- Fiction
representations without delay, while my heart beat high with a new
hope—for they especially lauded a young actress, called Isabelle; whose
graceful, modest, high-bred air they declared to be irresistible, and
her acting everything that could be desired—adding that she was as
virtuous as she was beautiful, and that the boldest libertines
respected her immaculate purity. Deeply agitated by a secret
presentiment, I hastened back to Paris, and went to the theatre that
very night. There I saw you, my darling, and though it would seem to be
impossible for even a father’s eye to recognise, in the beautiful young
woman of twenty, the babe that he had kissed in its cradle, and had
never beheld since, still I knew you instantly—the very moment you came
in sight—and I perceived, with a heart swelling with happiness and
thankfulness, that you were all that I could wish. Moreover, I
recognised the face of an old actor, who had been I knew in the troupe
that Cornelia joined when she fled from Paris, and I resolved to
address myself first to him; so as not to startle you by too abrupt a
disclosure of my claims upon you. But when I sent the next morning to
the hotel in the Rue Dauphine, I learned that Hérode’s troupe had just
gone to give a representation at a château in the environs of Paris,
and would be absent three days. I should have endeavoured to wait
patiently for their return, had not a brave fellow, who used to be in
my service, and has my interest at heart, come to inform me that the
Duke of Vallombreuse, being madly in love with a young actress named
Isabelle, who resisted his suit with the utmost firmness and
determination, had arranged to gain forcible possession of her in the
course of the day’s journey—the expedition into the country being
gotten up for that express purpose—that he had a band of hired ruffians
engaged to carry out his nefarious purpose and bring his unhappy victim
to this château—and that he had come to warn me, fearing lest serious
consequences should ensue to my son, as the young actress would be
accompanied by brave and faithful friends, who were armed, and would
defend her to the death. This terrible news threw me into a frightful
state of anxiety and excitement. Feeling sure, as I did, that you were
my own daughter, I shuddered at the thought of the horrible crime that
I might not be in time to prevent, and without one moment’s delay set
out for this place—suffering such agony by the way as I do not like
even to think of. You were already delivered from danger when I
arrived, as you know, and without having suffered anything beyond the
alarm and dread—which must have been terrible indeed, my poor child!
And then, the amethyst ring on your finger confirmed, past any
possibility of doubt, what my heart had told me, when first my eyes
beheld you in the theatre.”
Public-domain text, read in full here on John Shaqi.
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