France -- History -- Louis XIII, 1610-1643 -- Fiction
Pierre obeyed, and the baron, preceded by his old servant and followed
by his old dog and cat, slowly ascended the ancient staircase. The
quaint frescoes were gradually fading, growing ever paler and more
indistinct, and there were new stains on the dull blue sky of the
vaulted ceiling, where the rain and melting snow of winter storms had
filtered through from the dilapidated roof. The ruinous condition of
everything in and about the crumbling old château, to which de Sigognac
had been perfectly accustomed before he quitted it, and taken as a
matter of course, now struck him forcibly, and increased his dejection.
He saw in it the sad and inevitable decadence of his race, and said to
himself, “If these ancient walls had any pity for the last forlorn
remnant of the family they have sheltered for centuries, they would
fall in and bury me in their ruins.”
When he reached the landing at the head of the stairs he took the lamp
from Pierre’s hand, bade him good-night and dismissed him—not willing
that even his faithful old servant, who had cared for him ever since
his birth, should witness his overpowering emotion. He walked slowly
through the great banqueting hall, where the comedians had supped on
that memorable night, and the remembrance of that gay scene rendered
the present dreary solitude and silence more terrible than they had
ever seemed to him before. The death-like stillness was only broken by
the horrid gnawing of a rat somewhere in the wall, and the old family
portraits glared down at him reproachfully, as he passed on below them
with listless step and downcast eyes, oblivious of everything but his
own deep misery, and his yearning for his lost Isabelle. As he came
under the last portrait of all, that of his own sweet young mother, he
suddenly looked up, and as his eyes rested on the calm, beautiful
countenance—which had always worn such a pathetic, mournful expression
that it used to make his heart ache to look at it in his boyish days—it
seemed to smile upon him. He was startled for an instant, and then,
thrilling with a strange, exquisite delight, and inspired with new hope
and courage, he said in a low, earnest tone, “I accept my dear dead
mother’s smile as a good omen—perhaps all may not be lost even yet—I
will try to believe so.”
Public-domain text, read in full here on John Shaqi.
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