“The remainder of this scene is honorable to Powhatan. It will remain a lasting monument, that tho' different principles of action, and the influence of custom, have given to the manners and opinions of this people an appearance neither amiable nor virtuous, they still retain the noblest property of human character, the touch of pity and the feeling of humanity. “The club of the emperor was still uplifted; but pity had touched his bosom, and his eye was every moment losing its fierceness; he looked around to collect his fortitude, or perhaps to find an excuse for his weakness in the faces of his attendants. But every eye was suffused with the sweetly contagious softness. The generous savage no longer hesitated. The compassion of the rude state is neither ostentatious nor dilating: nor does it insult its object by the exaction of impossible conditions. Powhatan lifted his grateful and delighted daughter, and the captive, scarcely yet assured of safety, from the earth....” “The character of this interesting woman, as it stands in the concurrent accounts of all our historians, is not, it is with confidence affirmed, surpassed by any in the whole range of history; and for those qualities more especially which do honor to our nature--an humane and feeling heart, an ardor and unshaken constancy in her attachments--she stands almost without a rival. “At the first appearance of the Europeans her young heart was impressed with admiration of the persons and manners of the strangers; but it is not during their prosperity that she displays her attachment. She is not influenced by awe of their greatness, or fear of their resentment, in the assistance she affords them. It was during their severest distresses, when their most celebrated chief was a captive in their hands, and was dragged through the country as a spectacle for the sport and derision of their people, that she places herself between him and destruction. “The spectacle of Pocahontas in an attitude of entreaty, with her hair loose, and her eyes streaming with tears, supplicating with her enraged father for the life of Captain Smith when he was about to crush the head of his prostrate victim with a club, is a situation equal to the genius of Raphael. And when the royal savage directs his ferocious glance for a moment from his victim to reprove his weeping daughter, when softened by her distress his eye loses its fierceness, and he gives his captive to her tears, the painter will discover a new occasion for exercising his talents.”