"'Yes, that's right. But what you really need, you know, is what old-fashioned people in England call the consolation of religion.' "'That is a novel prescription for a doctor,' I retorted. "'Perhaps it is,' he admitted, holding out his hand, 'but depend upon it, nothing else will do.' "'You know the usual stereotyped advice is to get married?' "'You would still need the consolation of religion,' he remarked, dryly. 'No, the fact is, real love is too uncertain, too uncommon.' "'Surely,' I protested. "'A fact,' he insisted, simply. 'I once picked up the works of a young Arab poetess who afterward slew herself in her lover's arms. And the burden of all her songs was that the only logical culmination of love, if it be genuine, is death. I offer you that for your Western mind to ponder. Good-bye and good luck.' "And there I was," said Mr. Spenlove, lighting a fresh cigarette, "with a whole brand-new set of consolatory impressions to brood upon, left to pursue my way back to the ship and take up a safe and humdrum existence once more. The episode was over, and it would be unwise to try and make it anything else. And I had been presented with a novel and extremely impracticable test of love which preoccupied by its stark beauty. I had the sudden fancy, as I climbed the ruined wall that runs down from the Citadel and started to thread the narrow streets toward the port, of that Arab poetess, buried in a fragrant and silent garden among cypresses, and her lover, whom I pictured an infidel, keeping her in memory by a bronze statuette. I saw it on a table in his room, a tiny thing of delicate art, the exquisite creature depicted at the supreme moment of death and passion. For of course the lover would not adopt that extreme view of his obligations toward love. Full of regret he would continue a mediocre existence....