Captured at Tripoli: A Tale of AdventureWesterman, Percy F. (Percy Francis)
History
Captured at Tripoli: A Tale of Adventure
Westerman, Percy F. (Percy Francis)
Tripoli (Libya) -- History -- 20th century -- Juvenile fiction; Turco-Italian war, 1911-1912 -- Juvenile fiction
"Rough luck!" growled Reeves. "I must wing some of them." Ere he
picked up a second musket he drew his trusty automatic pistol and
opened the magazine. Nine cartridges only remained.
Presently one of the negroes laid aside his paddle, and, standing in
the bows of the canoe, levelled a huge gun that had once been the
property of an elephant hunter.
Knowing that the charge might contain slugs, old nails, and a
miscellaneous assortment of scrap iron, Reeves, who had no particular
antipathy to a respectable bullet, ducked behind the transom of the
boat, the lads having already taken refuge on the bottom boards.
With a resounding crash the elephant gun went off. Reeves instantly
sprang to his feet to return the compliment, but the negro was no
longer visible. His antiquated weapon had burst, sending him--a
mangled corpse--into the river.
In the confusion the fugitives managed to gain a hundred yards; but
the pursuers were not to be shaken off by an accident that is a
common occurrence where "trade guns" are in general use. On and on
they came, until within throwing distance, when a flight of spears
was hurled with great precision, five or six being left quivering in
the boat.
Reeves's reply was a charge of duck shot that put one canoe out of
action. The others immediately diverged, and, forming into two lines,
attempted to overtake the fugitives' boat on both quarters.
Hugh fired with successful results, while Gerald, handing a loaded
musket to the correspondent, proceeded to recharge the first weapon.
But in spite of the initial success of the encounter the odds were
greatly against the white men. With modern weapons the result would
have been quickly decided, but the time taken up in reloading the
flintlocks gave the blacks an advantage. They were closing again, and
spears began to flash over the boat, or to sink deeply into her
planking. Reeves realized that the time had come for desperate
measures. Grasping his pistol, he fired seven shots in rapid
succession into the crowd that manned the nearest canoe. The strange
sight of a man literally pouring out a hail of bullets filled the
negroes, with terror. Those who escaped the shots leapt overboard and
swam for the nearest craft.
Again raising his weapon, the correspondent pointed it menacingly at
the nearest "dug-out" on the other side. The effect was magical, for
those who could swim jumped overboard, while those who could not
cowered into the bottom of the canoe. The other canoes maintained a
respectful distance, but had no intention of relinquishing the
pursuit.
So far, good, Reeves thought; but what would happen when night fell?
"What's that?" exclaimed Gerald, as in a momentary lull in the shouts
of the natives a distant _pop, pop, pop_, was borne to their ears.
Hugh and the correspondent listened intently for a few moments. The
sound, whatever it might be, was coming nearer and nearer.
Public-domain text, read in full here on John Shaqi.
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