Don Anabel would take no chances with the loss or mutilation of his
treasure. He credited Steven with a faculty for plotting that he did not
possess. If it were himself, he would have arranged that the painting be
out of reach of its owner; he could not have believed that it lay on a
chest in the adjoining room. He inclined his head in consent.
“_Muy bien_, since you put it that way. I myself will not oppose your
trade here further, and I fancy the _jefe politico_ will not of his own
accord. The painting?”
Steven called the _criada_, who brought in from his bedchamber a roll of
deerskin. Don Anabel seized it, unfastened the wrappings with trembling
fingers, and unrolled the canvas, stretching it out before the candles
that burned on the mantle.
“The Murillo. Unharmed. _Gracias a Dios!_” Without another word Don
Anabel, gesturing to his servant, rolled up the picture again, thrust it
beneath his arm, and pulling his cloak tight about him, turned his back
upon Steven and strode toward the door. The _moso_ threw upon the floor
at Steven’s feet a sack that struck the boards with the unmistakable
clink of _moneda_, Spanish duros, sesterces, and reales.
Then Steven’s gorge rose and he shouted, “Stop!” with such suddenness
and passion that Don Anabel paused in his tracks. Steven kicked the sack
with a rage that shot it straight after the servant and hit him
amidships in the rear with such violence that he staggered and plunged
forward against the wall.
“Hold!” yelled Steven. “Take your filthy silver out of here, Señor Don
Anabel Lopez! I turned back on my way to Chihuahua, retracing my steps
over mountain passes and through deserts, to return to you this
painting, which I recognized as having seen in your house. I found the
canvas on the dead body of a prelate, late of Albuquerque, where, señor,
he told me, a night or so before his demise, he had acquired the canvas.
“Believe this tale or not, as you like, but, by the saints, you shall
make apology for the accusation of theft. Look nearer home for your
crime. If you do not take back your words, I shall spread a tale in
Santa Fe that will somewhat tarnish the luster of your honored name.”
Steven stopped abruptly. He had not intended to say that. He had no
proof that Luis was responsible for Bragdon’s death, though it was
tacitly understood between Juan and himself that it was he who had
dispatched the murderers on the Yankee’s trail. He had no proof that it
was Luis who had stolen his father’s painting and gambled it away. A
terrible silence had fallen upon the room. Don Anabel’s face grew old
and drawn. He looked gaunt and thin and sick, as he stood there in his
dark cloak, the candlelight throwing a heroic black silhouette against
the whitewashed wall. Terrible suspicions had entered his mind. To what
did the American refer? He was not sure.
Public-domain text, read in full here on John Shaqi.
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