Framed by Uter Pendragon, Arthur’s royal sire, who flourished early in the 6th century, or more than twelve hundred years ago, this wondrous table was given by him to King Leodegraunce of Camelyard, who held it in high esteem. When Leodegraunce bestowed his fair daughter, the lovely but erring Guenever, upon Arthur, he sent him at the same time, as the richest present he could bestow, the royal table, causing it to be conveyed by a hundred knights. Enchanted with the gift, Arthur forthwith instituted the order of the Round Table (the earliest military order of knighthood), and had the places appointed for himself and his twenty-four knights blessed by the Archbishop of Canterbury. So runs the legend. But by whomsoever fashioned, the Round Table was at least remarkable for antiquity in the time of Henry VIII., who had it fresh painted for use at the banquet given by him to the Emperor Charles V. It still exists, as we have already intimated, and is constructed of stout oaken planks, painted in parti-coloured rays, on the borders of which /* “Some British pen has sketched the names renowned, In marks obscure, of Arthur’s deathless peers.” */ Obscure as are the characters, the names of Sir Tristram, Sir Launcelot, Sir Galahad, Sir Percival, Sir Gawaine, Sir Ector, Sir Bors, and other peerless knights, may be read upon this scroll of fame. In Cromwell’s time the Round Table narrowly escaped destruction from the parliamentary soldiers, who never lost an opportunity of committing sacrilege of some kind. They set it up as a target, and perforated it with bullets. In the centre of the board is the Tudor rose, and the sovereign’s place is indicated by a full-length portrait of Henry VIII., seated under a canopy with an ermine mantle over his shoulders, and holding the orb and sword. The great hall in which the Round Table was set was hung with ancient and somewhat faded arras, representing in one place the interview of the twelve Roman knights with Arthur, and in another the renowned British king receiving his sword Excalibur from the Lady of the Lake. Five-and-twenty suits of armour of colossal size were placed on stands against the walls, while the intervals were filled with trophies composed of shields, spears, swords, battle-axes, maces, and other weapons. The cushion of each chair was embroidered in letters of gold with the name of its occupant. A curiously carved oak chair, in which bluff King Hal had sat was assigned to Philip. On his right sat the Lord Chancellor, and on the left the Duke of Norfolk. The place next to Gardiner was allotted to the Duke of Alva, while Norfolk’s neighbour was the Duke of Medina Celi. In this wise were the twenty-four guests disposed—English and Spanish nobles alternately.