Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
The "Five Days' Peregrination" of Hogarth and his friends, of which
Thackeray discoursed to us so agreeably in one of his lectures, occurred
when the artist was thirty-four years of age. But it shows us the same
jovial Londoner, whose manners and pleasures, as Mr. Thackeray remarked,
though honest and innocent, were "not very refined." Five friends set
out on foot early in the morning from their tavern haunt in Covent
Garden, gayly singing the old song, "Why should we quarrel for riches?"
Billingsgate was their first halting-place, where, as the appointed
historian of the jaunt records, "Hogarth made the caricature of a
porter, who called himself the Duke of Puddle Dock," which "drawing was
by his grace pasted on the cellar door." At Rochester, "Hogarth and
Scott stopped and played at hop-scotch in the colonnade under the
Town-hall." The Nag's Head at the village of Stock sheltered them one
night, when, after supper, "we adjourned to the door, drank punch, stood
and sat for our pictures drawn by Hogarth." In another village the merry
blades "got a wooden chair, and placed Hogarth in it in the street,
where he made the drawing, and gathered a great many men, women, and
children about him to see his performance." The same evening, over their
flip, they were entertaining the tap-room with their best songs, when
some Harwich lobster-men came in and sung several sea-songs so agreeably
that the Londoners were "quite put out of countenance." "Our _St.
John_," records the scribe of the adventure, "would not come in
competition, nor could _Pishoken_ save us from disgrace." Here, too, is
a Hogarthian incident: "Hogarth called me up and told me the good-woman
insisted on being paid for her bed, or having Scott before the mayor,
_which last we did all in our power to promote_." And so they merrily
tramped the country round, singing, drawing, copying comic epitaphs, and
pelting one another with dirt, returning to London at the end of the
five days, having expended just six guineas--five shillings a day each
man.
[Illustration: Time Smoking a Picture.]
His sense of humor appears in his serious writings. One illustration
which he gives in his "Analysis of Beauty," to show the essential and
exhaustless charm of the waving line, is in the highest degree comic: "I
once heard an eminent dancing-master say that the minuet had been the
study of his whole life, and that he had been indefatigable in the
pursuit of its beauties, yet at last could only say, with Socrates, _he
knew nothing_, adding that I was happy in my profession as a painter, in
that some bounds might be set to the study of it."
Public-domain text, read in full here on John Shaqi.
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