Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
A large number of the pictures which appeared during the last months of
the king's life have been preserved. At an earlier stage of the movement
both friends and foes of the monarchy used the satiric pencil, but now
there was none to take the side of this bewildered family, and the
pictures aimed at them were hard and pitiless. The reader has but to
turn to the specimen here given, which was called forth by the transfer
of the royal family from their home in the Tuileries to their prison in
the Temple, to comprehend the spirit of those productions. In others we
find the king represented as a blind man groping his way; as a baby; as
an idiot who breaks his playthings and throws away his crown and
sceptre. The queen excited a deeper feeling. The Parisians of 1792
appear to have had for that most unhappy of women only feelings of
diabolical hate. She called forth all the tiger which, according to
Voltaire, is an ingredient in the French character. The caricaturists
liked to invest her with the qualities and the form of a tigress, living
in a monstrous alliance with a king-ram, and becoming the mother of
monsters. The foolish tale of her saying that she would quench her
thirst with the blood of Frenchmen was treated by the draughtsmen of the
day as though it were an unquestionable fact.
Never was a woman so hated as she was by infuriate Paris in 1792. Never
was womanhood so outraged as in some of the caricatures of that period.
Nothing relating to her had any kind of sacredness. Her ancestors, her
country, her mother, her children, her love for her children, her
attachment to her husband, were all exhibited in the most odious light
as so many additional crimes against liberty. Need it be said that her
person was not spared? The single talent in which the French excel all
the rest of the human family is that of subtly insinuating indecency by
pen and pencil. But they did not employ this talent in the treatment of
Marie Antoinette when she was about to redeem a frivolous life by a
dignified death. With hideous indecency they presented her to the scorn
of the public, as African savages might exhibit the favorite wife of a
hostile chief when they had brought her to their stinking village a
captive, bound, naked, and defiled.
And so passed away forever from the minds of men the sense of the
divinity that once had hedged in a king. But so congenial to minds
immature or unformed is the idea of hereditary chieftainship that to
this day in Europe the semblance of a king seems the easiest resource
against anarchy. Yet kings were put upon their good behavior, to hold
their places until majorities learn to control their propensities and
use their minds.
[Illustration: Aristocrat and Democrat. (Paris, 1793.)
_Aristocrat._ "Take care of your cap."
_Democrat._ "Look out for your queue."]
CHAPTER XV.
CARICATURES OF WOMEN AND MATRIMONY.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account