Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
This poet, usually so moderate and mild in his satire of human folly, is
transported with rage in contemplating the faults of women, and holds
them up to the abhorrence of his readers. A woman, he remarks, can
wallow in wicked delights, and then, _giving her mouth a hurried wipe_,
come forward with tranquil mind and an air of child-like innocence,
sweetly protesting that she has done nothing wrong. The most virulent
woman-hater that was ever jilted or rejected could not go beyond the
bachelor priest who penned this infuriate diatribe upon the sex.
[Illustration: A Splendid Spread. (Cruikshank, 1850.)]
Nor was Erasmus's estimate of women more favorable than Brandt's, though
he expresses it more lightly and gayly, as his manner was. And curious
it is to note that the foibles which he selects for animadversion are
precisely those which form the staple of satire against women at the
present time. In one of his Colloquies he describes the "Assembly of
Women, or the Female Parliament," and reports at length the speech of
one of the principal members, the wise Cornelia. This eloquent lady
heartily berates the wives of tradesmen for presuming to copy the
fashions of the rich and noble. Would any one believe that the following
sentences were written nearly four hundred years ago?
"'Tis almost impossible by the outside," says Cornelia to her parliament
of fine ladies, "to know a duchess from a kitchen-wench. All the ancient
bounds of modesty have been so impudently transgressed, that every one
wears what apparel seems best in her own eyes. At church and at the
play-house, in city and country, you may see a thousand women of
indifferent if not sordid extraction swaggering it abroad in silks and
velvets, in damask and brocard, in gold and silver, in ermines and sable
tippets, while their husbands perhaps are stitching Grub-street
pamphlets or cobbling shoes at home. Their fingers are loaded with
diamonds and rubies, for Turkey stones are nowadays despised even by
chimney-sweepers' wives. It was thought enough for your ordinary women
in the last age that they were allowed the mighty privilege to wear a
silk girdle, and to set off the borders of their woolen petticoats with
an edging of silk. But now--and I can hardly forbear weeping at the
thoughts of it--this worshipful custom is quite out-of-doors. If your
tallow-chandlers', vintners', and other tradesmen's wives flaunt it in a
chariot and four, what shall your marchionesses or countesses do, I
wonder? And if a country squire's spouse will have a train after her
full fifteen ells long, pray what shift must a princess make to
distinguish herself? What makes this ten times worse than otherwise it
would be, we are never constant to one dress, but are as fickle and
uncertain as weathercocks--or the men that preach under them. Formerly
our head-tire was stretched out upon wires and mounted upon barbers'
poles, women of condition thinking to distinguish themselves from the
ordinary sort by this dress.
Public-domain text, read in full here on John Shaqi.
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