Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
But since that lamentable and fatal day when the priests wrought upon
Louis XIV. to decree the expulsion of the Huguenots, who were the
_élite_ of his kingdom, France had been undergoing a course of political
demoralization, which had made a constitutional government of the
country almost impossible. Recent events had exaggerated the criminal
class. Twenty years of intoxicating victory had made all moderate
success, all gradual prosperity, seem tame and flat; and the reduction
of the army had set afloat great numbers of people indisposed to
peaceful industry. Under the Restoration, we may almost say, political
conspiracy had become a recognized profession. The new king, pledged to
make the freedom of the press "a reality," soon found himself face to
face with difficulties which Bourbons had invariably met by mere
repression. Republicans and Legitimists were equally dissatisfied.
Legitimists could only wait and plot; but Republicans could write,
speak, and draw. A considerable proportion of the young, irresponsible,
and adventurous talent was republican, and there was a great deal of
Bohemian character available for that side. It was a time when a Louis
Napoleon could belong to a democratic club.
Caricature speedily marked the "citizen king" for her own. Napoleon had
employed all his subtlest tact during the last ten years of his reign in
keeping alive in French minds the base feudal feeling, so congenial to
human indolence and vanity, that it is nobler to be a soldier than to
rear a family and keep a shop. In his bulletins we find this false
sentiment adroitly insinuated in a hundred ways. He loved to stigmatize
the English as a nation of shop-keepers. He displayed infinite art in
exalting the qualities which render men willing to destroy one another
without asking why, and in casting contempt on the arts and virtues by
which the waste of war is repaired. The homely habits, the plain dress,
the methodical ways, of Louis Philippe were, therefore, easily made to
seem ridiculous. He was styled the first _bourgeois_ of his kingdom--as
he was--but the French people had been taught to regard the word as a
term of contempt.
Public-domain text, read in full here on John Shaqi.
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