Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
Mr. Thackeray, who was but nineteen when Louis Philippe came to the
throne, witnessed much of the famous contest between this knot of
caricaturists and the King of the French; and in one of the first
articles which he wrote for subsistence, after his father's failure, he
gave the world some account of it.[36] At a later period of his life he
would probably not have regarded the king as the stronger party. He
would probably not have described the contest as one between "half a
dozen poor artists on the one side, and His Majesty Louis Philippe, his
august family, and the numberless placemen and supporters of the
monarchy, on the other." Half a dozen poor artists, with an unscrupulous
publisher at their head, who gives them daily access to the eye and ear
of a great capital, can array against the object of their satire and
abuse the entire unthinking crowd of that capital. A firm, enlightened,
and competent king would have united against these a majority of the
responsible and the reflecting. Such a king would truly have been, as
Mr. Thackeray observed, "an Ajax girded at by a Thersites." But Louis
Philippe was no Ajax. He was no hero at all. He had no splendid and no
commanding traits. He was merely an overfond father and well-disposed
citizen of average talents. He was merely the kind of man which free
communities can ordinarily get to serve them, and who will serve them
passably well if the task be not made needlessly difficult. Hence
Philipon and his "half a dozen poor artists" were very much the stronger
party--a fact which the king, in the sight and hearing of all France,
confessed and proclaimed by putting them in prison.
[Footnote 36: In the _London and Westminster Review_ for April, 1839,
Article II.]
It was those prosecutions of Philipon that were fatal to the king.
Besides adding emphasis, celebrity, and weight to the sallies of _Le
Charivari_, they presaged the abandonment of the central principle of
the movement that made him king--the freedom of utterance. The scenes in
court when Philipon, or his artist, Daumier, was arraigned, were most
damaging to the king's dignity. One, incorrectly related by Thackeray,
may well serve to warn future potentates that of all conceivable
expedients for the caricaturist's frustration, the one surest to fail is
to summon him to a court of justice.
Public-domain text, read in full here on John Shaqi.
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