Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
Before Louis Philippe had been three years upon the throne there was an
end of all but the pretense of maintaining the freedom of press or
pencil. "The Press," as Mr. Thackeray remarks, "was sent to prison; and
as for poor dear Caricature, it was fairly murdered." In _Le Charivari_
for August 30th, 1832, we read that Jean-Baptiste Daumier, for an
equally harmless caricature of the king, was arrested in the very
presence of his father and mother, of whom he was the sole support, and
condemned to six months' imprisonment. It was Daumier, however, as M.
Champfleury reveals, who had "served up the pear with the greatest
variety of sauces." It was the same Daumier who after his release
assailed the advocates and legal system of his country with ceaseless
burlesque, and made many a covert lunge at the personage who moved them
to the fatal absurdity of imprisoning him.
Driven by violence from the political field, to which it has been
permitted to return only at long intervals and for short periods, French
caricature has ranged over the scene of human foibles, and attained a
varied development. Daumier and Philipon conjointly produced a series of
sketches in _Le Charivari_ which had signal and lasting success with the
public. The play of "Robert Macaire," after running awhile, was
suppressed by the Government, the actor of the principal part having
used it as a vehicle of political burlesque. _Le Charivari_ seized the
idea of satirizing the follies of the day by means of two characters of
the drama--Macaire, a cool, adroit, audacious villain, and Bertrand, his
comrade, stupid, servile, and timid.
[Illustration: Robert Macaire fishing for Share-holders. (Daumier,
1833.)]
Philipon supplying the words and Daumier executing the pictures, they
made Macaire undertake every scheme, practice, and profession which
contained the requisite ingredients of the comic and the rascally. The
series extended beyond ninety sketches. Macaire founds a joint-stock
charity--_la morale en action_, he explains to gaping Bertrand, each
_action_ (share) being placed at two hundred and fifty francs. He
becomes a quack-doctor. "Don't trifle with your complaint," he says to a
patient, as he gives him two bottles of medicine. "Come to see me often;
it won't ruin you, for I make no charge for consultations. You owe me
twenty francs for the two bottles." The patient appearing to be startled
at the magnitude of this sum, Dr. Macaire blandly says, as he bows him
out, "We give two cents for returned bottles." He becomes a private
detective. A lady consults him in his office. "Sir," she says, "I have
had a thousand-franc note stolen." "Precisely, madame. Consider the
business done: the thief is a friend of mine." "But," says the lady,
"can I get my note back, and find out who took it?" "Nothing easier.
Give me fifteen hundred francs for my expenses, and to-morrow the thief
will return the note and send you his card."
Public-domain text, read in full here on John Shaqi.
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