Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
"There exist at present," he remarks, "sixty-eight laws in France, all
intended to suppress, curtail, weaken, emasculate, and even to strangle
newspapers; but not one single law to foster them in their dire
misfortune. If any private French gentleman wishes to establish a
newspaper, he must first write to the Préfet de Police, on paper of a
certain size and duly stamped, and give this functionary notice that he
intends to establish a newspaper. His signature has, of course, to be
countersigned by the Maire. But if the paper our friend wishes to
establish is purely literary, he has first to make his declaration to
the police, who rake up every information that is possible about the
unfortunate projector. After that, the Ministère de l'Intérieur
institutes another searching inquiry, and these two take seven or eight
months at least. When the _enquête_ and the _contre-enquête_ are ended,
the _avis favorable_ of the whole Ministry is necessary before the paper
can be published. Another six months to wait yet; but this is not all.
Our would-be newspaper proprietor or editor possesses now the right of
publishing his paper; but he has not yet the right to sell it. In order
to obtain this, he must begin anew all his declarations and attempts, so
that his purely literary paper may be sold at all the ordinary
book-sellers' shops. But if he wishes it to be sold in the streets--or,
in other words, in the kiosques--he must address himself to another
office _ad hoc_, and then the Commissaire de Police sends the answer of
the Préfet de Police to the unfortunate proprietor, editor, or
publisher, who by this time must be nearly at his wits' end.
But even this is not all. If the unhappy projector proposes to
illustrate his paper, his labors are still far from ending. "He must,"
continues the writer, "obtain, of course, the permission of the
Ministère de l'Intérieur for Paris, or of the prefects for the
provinces. The Ministère asks for the opinion of the Governor of Paris,
who asks, in his turn, for the opinion of the Bureau de Censure, a body
of gentlemen working in the dark, and which, to the eye of the obtuse
foreigner, appears only established to prevent any political
insinuations to be made, but to allow the filthiest drawings to be
publicly exposed for sale, and the most indecent innuendoes to be
uttered on the stage or in novels. The Censure demands, under the
penalty of seizing, forbidding, and bringing before the court, that
every sketch or outline shall be submitted to it. When this is done, and
the Censure finds nothing to criticise in it, it requires further that
the drawing, when finished, be anew laid before it, and, if the drawing
be colored, it must be afresh inspected after the dangerous paints have
been smirched on. When our happy editor wishes to publish the caricature
or the portrait of any one, he can not do so unless he has the
permission of the gentleman or lady whose likeness he wishes to
produce."
[Illustration: Honoré Daumier.]
Public-domain text, read in full here on John Shaqi.
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