Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
Another comic weekly published at Madrid is called _Gil Blas, Periódico
Satírico_. This is by far the least bad of the comic papers recently
attempted in Spain. Many of its subjects are drawn from the politics of
the period, and some of them appear to be very happily treated. The
sorry adventures of Louis Napoleon and his son in the war between France
and Prussia are presented with much comic effect. Queen Isabel and her
hopeful boy figure also in many sketches, which were doubtless amusing
to the people of Madrid when they appeared. The Duc de Montpensier and
other possible candidates for the throne are portrayed in situations and
circumstances not to be fully understood at this distance from the time
and scene.
The Spanish caricatures given in this chapter, whatever the reader may
think of them, were selected from about a thousand specimens; and if
they are not the very best of the thousand, they are at least the best
of those which can be appreciated by us.
Cuba had its comic periodical during the brief ascendency of liberal
ideas in 1874. A Cuban letter of that year chronicles its suspension:
"The comic weekly newspaper, _Juan Palonio_, has met its death-blow by
an order of suspension for a month, and a strong hint to the director,
Don Juan Ortega, that a trip to the Peninsula would be of benefit to his
health. The immediate cause of this order was a cartoon, representing
the arms of the captain-general wielding a broom, marked 'extraordinary
powers,' and sweeping away ignorance, the insurrection, etc. There was
nothing, in fact, to take umbrage at; but the cartoon served as a
pretext to kill the paper, which was rather too republican in tone. The
Government censor was removed from his position for the same reason, and
a new one appointed."
In those countries long debauched by superstition, comic art has little
chance; for if tyranny does not kill it, a dissolute public degrades it
into a means of pollution.
CHAPTER XXII.
ITALIAN CARICATURE.
As soon as comic art in Italy is mentioned, we think of Pasquino, the
merry Roman tailor, whose name has enriched all the languages of Europe
with an effective word. Many men whose names have been put to a similar
use have, notwithstanding, been completely forgotten; but Pasquino,
after having been the occasion of pasquinades for four centuries, is
still freshly remembered, and travelers tell his story over again to
their readers.
Public-domain text, read in full here on John Shaqi.
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