Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
Upon looking over the sketches of Robert Seymour, which used to appear
from time to time in the windows--price threepence--while Boz was
getting _his_ "Sketches" through the press, we perceive that Dickens
really derived fruitful hints from this artist, besides the original
suggestion of the work. Mr. Winkle is recognizable in several of them;
Mr. Pickwick's figure occurs occasionally; the Fat Boy is distinctly
suggested; the famous picnic scene is anticipated; and there is much in
the spirit of the pictures to remind us that among the admiring crowd
which they attracted, the author of "Pickwick" might often have been
found. Seymour, however, gave him only hints. In every instance he has
made the suggested character or incident absolutely his own. Seymour
only supplied a piece of copper, which the alchemy of genius turned into
gold. In Dickens's broadest and most boisterous humor there are ever a
certain elegance and refinement of tone that are wanting in Seymour,
Seymour's cockney hunters being persons of the Tittlebat Titmouse grade,
who long ago ceased to amuse and began to offend.
Seymour's discovery, in the first numbers of "Pickwick," that it was the
author, not the artist, who was to dominate a work which was his own
conception and long-cherished dream, was probably among the causes of
his fatal despair. When he first mentioned to Chapman & Hall his scheme
of a Cockney Club ranging over England, he was a popular comic artist of
several years' standing, and Charles Dickens was a name unknown. Nor was
it supposed to be of so very much consequence who should write the
descriptive matter. The firm closed the bargain with Mr. Seymour without
having bestowed a thought upon the writer; and when they had suggested
the unknown "Boz," and procured a copy of his "Sketches" by way of
recommendation, Mrs. Seymour's remark was that, though she could not see
any humor in his writings herself, yet he might do as well as another,
and fifteen pounds a month to a poor and struggling author would be a
little fortune. To a sensitive and ambitious man, made morbid by various
hard usage such as the men who delight the world often undergo, it must
have been a cutting disappointment to be asked, in the infancy of an
enterprise which he deemed peculiarly his own, to put aside an
illustration that he had prepared, and make another to suit the fancies
of a subordinate. It was like requiring a star actor to omit his
favorite and most special "business" in order to afford a member of the
company an opportunity to shine.
Public-domain text, read in full here on John Shaqi.
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