Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
The Puseyite imbecility was as effectively satirized by Leech in 1849 as
the ritualistic imitation has recently been by Tenniel. American slavery
came in for just rebuke. As a retort to "some bunkum" in the American
press in 1848, Mr. Leech drew a picture of Liberty lashing a negro,
while Jonathan, with rifle on his arm, cigar in his mouth, and bottle at
his side, says, "Oh, ain't we a deal better than other folks! I guess
we're a most a splendid example to them thunderin' old monarchies." The
language is wrong, of course; no American ever said "a deal better."
English attempts at American slang are always incorrect. But the satire
was deserved. Leech was far from sparing his own country. Some readers
must remember the pair of pictures by Leech, in 1849, entitled
"Pin-money" and "Needle-money," one exhibiting a young lady's boudoir
filled with luxurious and costly objects, and the other a poor
needle-woman in her garret of desolation, sewing by the light of a
solitary candle upon a shirt for which she is to receive three
half-pence. In a similar spirit was conceived a picture presenting two
objects often seen in agricultural fairs in England--a "Prize Peasant"
and a "Prize Pig:" the first rewarded for sixty years of virtuous toil
by a prize of two guineas, the owner of the fat pig being recompensed by
an award of three guineas.
Toward Louis Napoleon _Punch_ gradually relented. At first Mr. Leech
gave just and strong expression to the world's contempt for that
unparalleled charlatan; but as he became powerful, and seemed to be
useful to Great Britain, _Punch_ treated him with an approach to
respect. A similar change toward Mr. Disraeli is observable. Seldom
during the first fifteen years of his public life was he presented in a
favorable light. Upon his retirement from office in 1853, Leech
satirized his malevolent attacks upon the new ministry very happily by a
picture in which he appears as a crossing-sweeper spattering mud upon
Lord Russell and his colleagues. "Won't give me any thing, won't you?"
says the sweeper: "then take _that_!" Nor did the admirable Leech fail
to mark the public sense of Disraeli's silence during the long debates
upon the bill giving to English Jews some of the rights of citizenship.
In his whole public career there is nothing harder to forgive than that
ignoble and unnecessary abstinence. During the last few years Mr.
Disraeli has won by sheer persistence a certain solidity of position in
English politics, and _Punch_ pays him the respect due to a person who
represents a powerful and patriotic party.
Public-domain text, read in full here on John Shaqi.
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