Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
In common with John Leech and the ruling class of England generally, Mr.
Tenniel was so unfortunate as to misinterpret the civil war in America.
He was almost as much mistaken as to its nature and significance as some
of our own politicians, who had not his excuse of distance from the
scene. He began well, however. His "Divorce a Vinculo," published in
January, 1861, when the news of the secession of South Carolina reached
England, was too flattering to the North, though correct as to the
attitude of the South. "Mrs. Carolina asserts her Right to 'larrup' her
Nigger" was a rough statement of South Carolina's position, but we can
not pretend that the Northern States objected from any interest they
felt in the colored boy. On the part of the North it was simply a war
for self-preservation. It was as truly such as if Scotland or Ireland,
or both of them, had seceded from England in 1803, when the Peace of
Amiens was broken, and the English people had taken the liberty to
object. Again, Mr. Tenniel showed good feeling in admonishing Lord
Palmerston, when the war had begun, to keep Great Britain neutral.
"Well, Pam," says Mr. Punch to his workman, "of course I shall keep you
on, but you must stick to _peace_-work." Nor could we object to the
picture in May, 1861, of Mr. Lincoln's poking the fire and filling the
room with particles of soot, saying, with downcast look, "What a nice
White House this would be if it were not for the Blacks!"
[Illustration: Jeddo and Belfast; or, A Puzzle for Japan. (John Tenniel,
in _Punch_, 1872.)
_Japanese Embassador._ "Then these people, your Grace, I suppose, are
heathen?"
_Archbishop of Canterbury._ "On the contrary, your Excellency; those are
among our most enthusiastic religionists."]
Public-domain text, read in full here on John Shaqi.
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