Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
time when he began life as a horse-jockey his "_Ames_ had been
villainy."
It is an objection to this kind of caricature that the weather may
interfere with its proper presentation. A shower of rain obliterated
most of those labels, and left the figures themselves in a reduced and
draggled condition. But, according to the local historian, the
exhibition was continued, "to the great mirth and entertainment of the
boys, who would not quit the field until a total demolition of the
figures took place," nor "before they had taken down the breeches of the
effigy of the Representative of this State and given him repeated
castigations." In the evening the colors of Great Britain were dipped in
oil and _French_ brandy, and burned at the same fire which had consumed
the effigies.
Later in the Jeffersonian period, the burlesque procession--_caricature
vivante_--was occasionally employed by the New England Federalists to
excite popular disapproval of the embargo which suspended foreign
commerce. Elderly gentlemen in Newburyport remember hearing their
fathers describe the battered old hulk of a vessel, with rotten rigging
and tattered sails, manned by ragged and cadaverous sailors, that was
drawn in such a procession in 1808, the year of the Presidential
election. There are even a few old people who remember seeing the
procession, for in those healthy old coast towns the generations are
linked together, and the whole history of New England is sometimes
represented in the group round the post-office of a fine summer morning.
The odd-looking picture of the Gerry-mander, on the previous page,
belongs to the same period, and preserves a record not creditable to
party politicians. Democratic leaders in Massachusetts, in order to
secure the election of two Senators of their party, redistricted the
State with absurd disregard of geographical facts. The _Centinel_
exhibited the fraud by means of a colored map, which the artist, Gilbert
Stuart, by a few touches, converted into the immortal Gerry-mander.
Governor Gerry, though not the author of the scheme, nor an approver of
it, justly shares the discredit of a measure which he might have vetoed,
but did not.
Public-domain text, read in full here on John Shaqi.
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