Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
He heaps ridicule also upon the public preaching of those profound
theologians. It was mere stage-playing; and their delivery was the very
acme of the droll and the absurd. "Good Lord! how mimical are their
gestures! What heights and falls in their voice! What toning, what
bawling, what singing, what squeaking, what grimaces, what making of
mouths, what apes' faces and distorting of their countenances!" And
their matter was even more ridiculous than their manner. One of these
absurd divines, discoursing upon the name of Jesus, subtly pretended to
discover a revelation of the Trinity in the very letters of which the
name was composed. It was declined only in _three_ cases. That was one
mysterious coincidence. Then the nominative ended in S, the accusative
in M, and the ablative in U, which obviously indicated Summus, the
beginning; Medius, the middle; and Ultimus, the end of all things. Other
examples he gives of the same profound nature. Nor did the different
orders of monks escape his lash. He dwelt upon the preposterous
importance they attached to trifling details of dress and ceremonial.
"They must be very critical in the precise number of their knots, in the
tying-on of their sandals, of what precise colors their respective
habits should be made, and of what stuff; how broad and long their
girdles, how big and in what fashion their hoods, whether their bald
crowns be of the right cut to a hair's-breadth, how many hours they must
sleep, and at what minute rise to prayers."
In this manner he proceeds for many a sprightly page, rising from monks
to bishops and cardinals, and from them to popes, "who _pretend_
themselves Christ's vicars," while resembling the Lord in nothing.
Luther never went farther, never was bolder or more biting, than Erasmus
in this essay. But all went for nothing with the great leader of reform,
because Erasmus refused to abandon the Church, and cast in his lot
openly with the reformers. Luther calls him "a mere Momus," who laughed
at Catholic and Protestant alike, and looked upon the Christian religion
itself very much as Lucian did upon the Greek. "Whenever I pray," said
Luther once, "I pray for a curse upon Erasmus." It was certainly a
significant fact that in the heat of that contest Erasmus should have
given the world a translation of Lucian. But he was a great, wise,
genial soul, whose fame will brighten as that age becomes more justly
and familiarly known to us.
The first place in the annals of such a warfare belongs of right to the
soldiers who took their lives in their hands and went forth to meet the
foe in the open field, braving torture, infamy, and death for the cause.
Such were Luther and his followers. But there is a place in human memory
for the philosopher and the humorist who first made the contest
possible, and then rendered it shorter and easier.
CHAPTER VIII.
COMIC ART AND THE REFORMATION.
Public-domain text, read in full here on John Shaqi.
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