Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
The companion picture, "The Triumph of Poverty," had also a Latin motto,
to the effect that, while the rich man is ever anxious, "the poor man
fears nothing, joyous hope is his portion, and he learns to serve God by
the practice of virtue." In the picture a lean and hungry-looking old
woman, Poverty, was seen riding in the lowliest of vehicles, a cart,
drawn by two donkeys, Stupidity and Clumsiness, and by two oxen,
Negligence and Indolence. Beside her in the cart sits Misfortune. A
meagre and forlorn crowd surround and follow them. But the slow-moving
team is guided by the four blooming girls, Moderation, Diligence,
Alertness, and Toil, of whom the last is the one most abounding in vigor
and health. The reins are held by Hope, her eyes toward heaven.
Industry, Memory, and Experience sit behind, giving out to the hungry
crowd the means of honorable plenty in the form of flails, axes,
squares, and hammers.
These human and cheerful works stand in the waste of that age of
wrathful controversy and irrational devotion like green islands in the
desert, a rest to the eye and a solace to the mind.
When Luther was face to face with the hierarchy at the Diet of Worms,
Calvin, a French boy of twelve, was already a sharer in the worldly
advantage which the hierarchy could bestow upon its favorites. He held a
benefice in the Cathedral of Noyon, his native town, and at seventeen he
drew additional revenue from a curacy in a neighboring parish. The
tonsured boy owed this ridiculous preferment to the circumstance that
his father, being secretary to the bishop of the diocese, was sure to be
at hand when the bishop happened to have a good thing to give away. In
all probability Jean Calvin would have died an archbishop or a cardinal
if he had remained in the Church of his ancestors, for he possessed the
two requisites for advancement--fervent zeal for the Church and access
to the bestowers of its prizes. At Paris, however, whither he was sent
by his father to pursue his studies, a shy, intense, devout lad, already
thin and sallow with fasting and study, the light of the Reformation
broke upon him. Like Luther, he long resisted it, and still longer hoped
to see a reformation _in_ the Church, not outside of its pale. The
Church never had a more devoted son. Not Luther himself loved it more.
"I was so obstinately given to the superstitions of popery," he said,
long after, "that it seemed impossible I should ever be pulled out of
the deep mire."
He struggled out at length. Observe one of the results of his conversion
in this picture, in which a slander of the day is preserved for our
inspection.[13]
[Footnote 13: From "Musée de la Caricature en France," Paris, 1834.]
[Illustration: Calvin branded. (Paris.)]
Public-domain text, read in full here on John Shaqi.
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