Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
The martyrdom of the reformers in 1555, under Queen Mary of bloody
memory, furnished subjects for the satiric pen and pencil as soon as the
accession of Elizabeth made it safe to treat them. But there is no
spirit of fun in the pictures. They are as serious and grim as the
events that suggested them. In one we see a lamb suspended before an
altar, which the Bishop of Winchester (Gardiner), with his wolf's head,
is beginning to devour; and on the ground lie six slain lambs, named
_Houperus_, _Cranmerus_, _Bradfordus_, _Rydlerus_, _Rogerus_, and
_Latimerus_. Three reformers put a rope round Gardiner's neck, saying,
"_We will not this feloue to raigne over us_;" and on the other side of
him two bishops with wolves' heads mitred, and having sheepskins on
their shoulders, are drinking from chalices. Behind Gardiner are several
men attached by rings through their noses to a rope round his waist. The
devil appears above, holding a scroll, on which is written, "_Youe are
my verye chyldren in that youe have slayne the prophetes_. _For even I
from the begynning was a murtherer._" On the altar lie two books, one
open and the other shut. On the open book we read, "_Christ alone is not
sufficient without our sacrifice_." The only window in the edifice, a
small round one, is closed and barred. Many of the figures in this
elaborate piece utter severe animadversion upon opponents; but none of
them is scurrilous and indecent, except the mitred wolf, who is so
remarkably plain-spoken that the compiler of the catalogue was obliged
to suppress several of his words.
The English caricaturists of that age seem to have felt it their duty to
exhibit the entire case between Catholic and Protestant in each
broadside, with all the litigants on both sides, terrestrial and
celestial, all the points in both arguments, and sometimes the whole
history of the controversy from the beginning. The great expanse of the
picture was obscured with the number of remarks streaming from the
mouths of the persons depicted, and there was often at the bottom of the
engraving prose and verse enough to fill two or three of these pages.
Such extensive works call to mind the sermons of the following century,
when preachers endeavored on each occasion to declare, as they said,
"the _whole_ counsel of God;" so that if one individual present had
never heard the Gospel before, and should never hear it again, he would
hear enough for salvation in that one discourse.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account