Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
One must have been in a Catholic community, or else lived close to an
important Catholic church, in order to form an idea of the great part
the Church once played in the lives and thoughts of its members--the
endless provision it made for the _entertainment_ of unformed minds in
the way of festivals, fasts, processions, curious observances, changes
of costume, and special rites. There was always something going on or
coming off. There was not a day in the year nor an hour in the day which
had not its ecclesiastical name and character. In our flowery observance
of Easter and in our joyous celebration of Christmas we have a faint
traditional residue of festivals that once made all Christendom gay and
jocund. And it was all so adapted to the limited abilities of our race!
In an average thousand men, there is not more than one man capable of
filling creditably the post of a Protestant minister, but there are a
hundred who can be drilled into competent priests.
Consider, for example, a procession, which was formerly the great event
of many of the Church festivals, gratifying equally those who witnessed
and those who took part in it. In other words, it gratified keenly the
whole community. And yet how entirely it was within the resources of
human nature! Not a child so young, not a woman so weak, not a man so
old, but could assist or enjoy it. The sick could view it from their
windows, the robust could carry its burdens, the skillful could contrive
its devices, and all had the feeling that they were engaged in enhancing
at once the glory of God, the fame of their saint, the credit of their
town, and the good of their souls. It was pleasure; it was duty; it was
masquerade; it was devotion. Some readers may remember the exaltation of
soul with which Albert Dürer, the first of German artists in Luther's
age, describes the great procession at Antwerp, in 1520, in honor of
what was styled the "Assumption" of the Virgin Mary. One of the pleasing
fictions adopted by the old Church was that on the 15th of August, A.D.
45, the Virgin Mary, aged seventy-five years, made a miraculous ascent
into heaven. Hence the annual festival, which was celebrated throughout
Europe with pomp and splendor. The passage in the diary of Dürer has a
particular value, because it affords us a vivid view of the bright side
of the ancient Church just before the reformers changed its gorgeous
robes into the Puritan's plain black gown, and substituted the long
prayer and interminable sermon for the magnificent ceremonial and the
splendid procession.
Public-domain text, read in full here on John Shaqi.
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