England -- Social life and customs -- 19th century -- Fiction
‘Aunt Cherry! but you are wrong. I am quite sure you are wrong,’ said
Cara, trembling. She could not help feeling a certain awe at the idea of
this sudden power which seemed to be thrust into her hands; and yet it
was too incredible to affect her profoundly. ‘Oswald is not like that,’
she said, ‘even if he meant it. He is not so serious, he does not feel
so strongly.’ But then Cara herself paused, uncertain, thinking of the
revolution in his thoughts of which he had told her, the crisis in his
life.
‘Ah, Cara, even while you are speaking to me your view changes--you see
the truth of what I say. Oh, think of it, my dear, and pray to God to
direct you. It is not a thing to laugh about, as so many people do.
Good-night, my darling, good-night! I must not talk any more, or I shall
say more than I want to say, and it ought to be all left to your own
feelings. Run away, run away, my own child, and think it over and judge
for yourself.’
Cara withdrew with a little nervous shiver, drawing her cloak round her.
The seriousness of this appeal overawed the girl. That she should plunge
out of her almost childhood into this serious crisis, upon which so much
depended, seemed incredible. She had scarcely turned away from the door
when Miss Cherry put out her head again.
‘Cara, just one word. If there should be difficulties, I will stand by
you. You shall not be crossed in anything that is for your happiness. We
have plenty for you both. Good-night, my darling, good-night.’
This did not ease Cara’s mind as Miss Cherry intended, but only
bewildered her. She stood for a moment wondering, till the door was
closed again and her aunt disappeared. What did she mean? Difficulties
to be surmounted which could make it comforting to know that there was
plenty for both had not occurred to Cara’s mind, which indeed went not a
step beyond the present dilemma. Could it be true? Awe, wonder, fright,
contended in her mind with a suppressed sense of amusement which Cara
thought wicked. Could Oswald feel so gravely, so deeply as Aunt Cherry
thought? It did not seem possible; and could it be homely Cara who was
the object of so serious a sentiment? Her little head seemed to go round
and round as she tried to think. She dropped upon the hearthrug before
the fire, kneeling, putting out her small hands to the warmth. Emotion
is always chilly, and the effort of thinking upon such a wonderful
subject made Cara shiver. She began to put things together, to remember
the unusual warmth with which Mrs. Meredith embraced her, the strange
look Edward gave her. When she remembered Edward’s look Cara grew colder
than ever, and felt disposed to cry, she could not tell why. That, then,
was what they all believed, not Aunt Cherry alone, who was romantic, but
everybody--and poor Edward! Cara felt a sudden pang go through her
heart. Why did Edward look at her so seriously, so pitifully? Was it
only sympathy for what was going to happen--was it? But Oswald? Then she
felt disposed to laugh.
Public-domain text, read in full here on John Shaqi.
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