England -- Social life and customs -- 19th century -- Fiction
‘Do not be absurd, my dear child. You know I am very fond of you,’ said
Oswald, with such a softening in his voice, and so kind a look in his
eyes, that Cara was quite disarmed. He put his hand lightly upon her
waist as a brother might have done. ‘We have known each other all our
lives--we shall know each other all the rest of our lives. I tell you
everything--you are my little conscience keeper, my adviser. I don’t
know what I should do without you,’ he said; and, being of a caressing
disposition, Oswald bent down suddenly, and kissed the soft cheek which
was lifted towards him. There were two doors to the room--the one most
generally used was in its second division, the back drawing-room; but
another door opened directly out upon the staircase, and the two were
standing, as it happened, directly in front of this. By what chance it
happened that Miss Cherry chose this door to come in by, and suddenly,
softly threw it open at this particular moment, will never be known.
There is something in such a salutation, especially when at all
ambiguous in its character, which seems to stir up all kinds of
malicious influences for its betrayal. The sudden action of Miss Cherry
in opening this door revealed the little incident not only to her but to
Edward, who was coming up the stair. Cara rushed to the other end of the
room, her lace scorching with shame; but Oswald, more used to the
situation, stood his ground, and laughed. ‘Ah, Aunt Cherry, are you
really going?’ he said, holding out his hand to her, while Edward
stalked into the room like a ghost. Of all the party, Oswald was the
least discomposed. Indeed, it rather pleased him, his vanity and his
sense of fun being both excited. He had a kind of notion that Edward was
jealous, and this added to his mischievous enjoyment. Where was the
harm?
‘Yes, I am going away,’ said Miss Cherry, ‘and perhaps it is
time--though I sometimes don’t know whether I ought to go or stay,’ she
added, mournfully, with a glance at her niece. Cara had turned her back
upon the company, and was in the other room arranging some music on the
piano, with trembling fingers. She could not bear either reproach or
laughter, for her shame was excessive, and out of all proportion to the
magnitude of the offence, as was to be expected at her years.
‘Oh, you must not be uneasy about Cara,’ said Oswald, lightly. ‘Cara
will be well taken care of. We will all take care of her. I must go now,
Cara. Good morning. I am going to look after the business I have been
telling you of. Why, there is nothing to make a bother about,’ he said,
in an undertone. ‘Cara! crying! Why, what harm is done?’
‘Oh, tell them, Oswald; if you have any pity for me, tell them!’
‘Tell them what? There is nothing to tell. If they put foolish
constructions on the simplest incident, it is not our fault. Good-by;
only look unconcerned as I do; there is no possible harm done.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account