Neither of them knew how long they sat there, while Agnes on her throne listened--trembling, blushing, weeping, hiding soft gleams of sympathetic looks, keeping back kindred confessions that stole to her own lips. She heard the story of Oswald’s love. It did not lose in the telling, and yet it was true. Though his poetry was not of a very elevated kind, as the reader knows, it gave him a command of words, it gave him skill enough to know how that story should be told. He paused for no instant reply, but went through the record from beginning to end. Never had the girl heard such a tale. Romance, even in books, was little known to her; she had been brought up upon matters of fact; and lo, here was a romance of her own, poetry living and breathing, stealing the very heart out of Agnes’s bosom. She resisted as long as she could, hiding her tears, hiding the quivering of her mouth, keeping her eyes down that no chance look might betray her, marshalling all her forces to do battle against this subtle influence. After all, those forces were not great; devotion to her work--but, alas, for weeks past the insidious foe had been undermining her walls, whispering of other duties more natural, more gracious, pointing out all the defects in that work to eyes which could not refuse to see them: regard for the prejudices of conventional life, the want of proper introduction, &c., a formidable horror to the girl’s inexperienced mind, and yet with no real force in it, for had not she, too, broken the bonds of society? Eventually the strength ebbed away from her as she listened. Last of all her routed forces took refuge in the last yet frailest citadel of all--her dress. It was that, too, that Oswald had thought of. In the absence of all real objections to this mutual understanding, this little barrier of _chiffons_ erected itself. How could she in that garb of self-sacrifice choose personal happiness, her own way, and all the brightnesses instead of all the sadnesses of existence? This thought gave her a little temporary strength. ‘Agnes,’ he said, with agitation, ‘those wretched children are coming back again. I must go away unless you will acknowledge and receive me. Agnes! think; can all this go for nothing, all this chapter in our lives? Can it end and be as if it had not been! Oh, look at me! Speak to me! Don’t say no with your voice. I will not believe it. Let me see your face----’ She turned to him slowly, her mouth quivering, flashes of flying colour going and coming, her eyelids--which she could not lift--heavy with tears, every line in her face moving and eloquent with feeling. ‘What can I say?’--her voice was so low and hurried that he had to bend forward to hear her--‘in this place, in this dress. Is it right? Oh, why should you ask me? What can I say----?’ ‘Look at me, Agnes!’