England -- Social life and customs -- 19th century -- Fiction
Here he stopped short, open-mouthed, and the others stopped too, by that
curious instinct which makes one man share in the startled sensations of
his companion, without knowing what they mean. They were both startled
like Edward. A carriage had drawn up within a little distance, and two
people were getting out of it. Cara’s eye, following Edward’s, reached
this little group. She ran forward, with a low cry. The new-comers,
seeing nobody, occupied with themselves, advanced steadily. They came up
to the corner of the Square. Just within that comparative stillness,
they too started and stopped, he facing the others boldly, with smiles
on his face, she drooping, blushing, trembling, with her hand on his
arm.
‘Oswald! for heaven’s sake, who is this lady?’ cried Edward, stepping in
advance. The others waited with equal eagerness, though they knew very
well who she was.
‘Edward, my good fellow, you must make much of her,’ said Oswald. He was
really moved, and his gay voice faltered. ‘You and Cara--We want you and
Cara to make up our happiness. This is my wife.’
Though it was the public road, or, at least, the corner of the Square,
Cara rushed forward and threw herself upon Agnes, who, red as a rose,
with downcast face and eyes that could not bear the light, stood on her
trial, as it were. Edward put out one hand to her and another to his
brother, without saying a word. He came, unthinking, between Roger and
his sister.
‘You and Cara.’ He and Cara; nothing to say to the brother, who stood
behind, red and lowering, looking on, noticed by no one, like a
stranger. The two pairs fell together as by nature; Roger was the one
who was left out. Is it not the very essence of all youthful story, even
of all childish games, that someone should be left out? The little girl
in the sun-bonnet in the Square garden could have produced half a dozen
instances--that there is no fun without this; from puss in the corner
upwards, the situation is invariable. But the left-out one does not see
the fun. Roger stood, and changed into all manner of colours. He was not
wanted. He and Agnes--he and Cara; for himself nobody, no companion, no
notice, no share in it all. To take it sentimentally and sadly, and turn
away, in all the dignity of the neglected, is one way; to be angry and
resent is another. Roger, who felt the hot blood tingling down to his
very finger-points, chose the latter. He made a step forward, pushing
Edward aside, even thrusting aside Cara, and seized his sister roughly
by the arm.
‘What is the meaning of all this?’ he said. ‘Agnes, what do you want
here? Where have you been? My father has come up to town in trouble
about you; my mother is ill of it at home. Where have you been? These
people have nothing to do with you. You’ve got to give me an explanation
of it--and you too, sir!’ cried Roger, with natural inconsistency,
turning fiercely upon Oswald. What! this fellow, who had appropriated
Cara so calmly, was he to have Agnes too?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account