England -- Social life and customs -- 19th century -- Fiction
‘I don’t know in the least,’ said Oswald; ‘but I should like to learn.
What does this revelation of Rogers and Reginalds mean? I never supposed
there were any such persons. I thought that Edward and myself were about
the limit of friendship allowed to little Cara, and here is a clan, a
tribe. I forewarn you at once that I put myself in opposition to your
Reginalds and Rogers. I dislike the gentlemen. I am glad to hear that
they have no time to talk in the mornings. I, for my part, have plenty
of time.’
‘Oh, you are not likely to know them,’ said Cara, laughing, ‘unless,
indeed, Roger comes on Sundays, as he said. They are probably not so
rich as you are. Their father is a clergyman, and they have to work. I
should like that myself better than doing nothing.’
‘That means,’ said Oswald, with great show of savagery, setting his
teeth, ‘that you prefer the said Roger, who must not talk o’ mornings,
to me, presumably not required to work? Know, then, young lady, that I
have as much need to work as your Roger; more, for I mean to be
somebody. If I go in for the bar it is with the intention of being Lord
Chancellor; and that wants work--work! such as would take the very
breath away from your clergyman’s sons, who probably intend to be mere
clergymen, and drop into a fat living.’
‘Roger is an engineer,’ said Cara; ‘he is at the College; he walks about
with chains, measuring. I don’t know what is the good of it, but I
suppose it is of some good. There are so many things,’ she added, with a
sigh, ‘that one is obliged to take for granted. Some day, I suppose, he
will have bridges and lighthouses to make. That one can understand--that
would be worth doing.’
‘I hate Roger!’ said Oswald. ‘I shall never believe in any lighthouses
of his making; there will be a flaw in them. Do you remember the
Eddystone, which came down ever so often? Roger’s will tumble down. I
know it. And when you have seen it topple over into the sea you shall
come and see me tranquilly seated on the woolsack, and recant all your
errors.’
Upon which they both laughed--not that there was much wit in the
suggestion, but they were both young, and the one lighted up the other
with gay gleams of possible mirth.
‘However,’ said Oswald, ‘that we may not throw that comparison to too
remote a period, where do you think I was going? Talk of me as an idler,
if you please. Does this look like idling?’ He took from his pocket a
little roll of paper, carefully folded, and breaking open the cover
showed her a number of MS. pages, fairly copied out in graduated lines.
Cara’s face grew crimson with sudden excitement.
‘_Poetry!_’ she said; but capital letters would scarcely convey all she
meant. ‘Oswald, are you a poet?’
He laughed again, which jarred upon her feelings, for poetry (she felt)
was not a thing to laugh at. ‘I write verses,’ he said; ‘that is
idling--most people call it so, Cara, as well as you.’
Public-domain text, read in full here on John Shaqi.
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