Carlyle's laugh, and other surprisesHigginson, Thomas Wentworth
History
Carlyle's laugh, and other surprises
Higginson, Thomas Wentworth
American literature -- History and criticism; Authors, American
From the moment when she came forward in the Woman Suffrage Movement,
however, there was a visible change; it gave a new brightness to her
face, a new cordiality in her manner, made her calmer, firmer; she found
herself among new friends and could disregard old critics. Nothing can be
more frank and characteristic than her own narrative of her first almost
accidental participation in a woman’s suffrage meeting. She had strayed
into the hall, still not half convinced, and was rather reluctantly
persuaded to take a seat on the platform, although some of her best
friends were there,—Garrison, Phillips, and James Freeman Clarke, her
pastor. But there was also Lucy Stone, who had long been the object of
imaginary disapproval; and yet Mrs. Howe, like every one else who heard
Lucy Stone’s sweet voice for the first time, was charmed and half won by
it. I remember the same experience at a New York meeting in the case of
Helen Hunt, who went to such a meeting on purpose to write a satirical
letter about it for the New York “Tribune,” but said to me, as we came
out together, “Do you suppose I could ever write a word against anything
which that woman wishes to have done?” Such was the influence of that
first meeting on Mrs. Howe. “When they requested me to speak,” she says,
“I could only say, I am with you. I have been with them ever since, and
have never seen any reason to go back from the pledge then given.” She
adds that she had everything to learn with respect to public speaking,
the rules of debate, and the management of her voice, she having hitherto
spoken in parlors only. In the same way she was gradually led into the
wider sphere of women’s congresses, and at last into the presidency of
the woman’s department at the great World’s Fair at New Orleans, in the
winter of 1883-84, at which she presided with great ability, organizing
a series of short talks on the exhibits, to be given by experts. While
in charge of this, she held a special meeting in the colored people’s
department, where the “Battle Hymn” was sung, and she spoke to them
of Garrison, Sumner, and Dr. Howe. Her daughter’s collection of books
written by women was presented to the Ladies’ Art Association of New
Orleans, and her whole enterprise was a singular triumph. In dealing with
public enterprises in all parts of the country she soon made herself
welcome everywhere. And yet this was the very woman who had written in
the “Salutatory” of her first volume of poems:—
“I was born ’neath a clouded star,
More in shadow than light have grown;
Loving souls are not like trees
That strongest and stateliest shoot alone.”
The truth is, that the life of a reformer always affords some training;
either giving it self-control or marring it altogether,—more frequently
the former; it was at any rate eminently so with her. It could be truly
said, in her case, that to have taken up reform was a liberal education.
Public-domain text, read in full here on John Shaqi.
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